Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
Dear Millicent! I knew I owed it all to her, for there had been that
in her face, her manner, and her kind eyes that told me she had felt
for me in my desolation; and now as she stood apart from my mother and
me, I ran to her and told her so--that I knew it all. I will not dwell
upon the solicitude of Clo, lest I should become unmanageable in the
midst of my satisfaction, nor upon Lydia's amazement at my mother's
allowing me to join the class; but I well recollect how Millicent kept
fast by me, her will, as it were, upon mine, and her reminding
calmness ever possessing me, lest I should by my ecstatic behavior
forfeit my right to my new privileges. I was quite good enough,
though, in the general opinion, to be permitted to go, as arranged, on
the following Tuesday evening.
Lenhart Davy dined with us on Sunday, by special invitation, written
by my mother, conveyed by my Margareth. He told me that I must not
mistake his silence if he spoke not to me nor noticed me when he was
amidst his pupils. I perfectly understood even then how much depended
upon his sagacious self-dependence.
The class assembled from six till eight in the evening, twice a week;
the room Davy convoked it in was one he hired expressly. My mother
sent me with Margareth, who was to fetch me again at the expiration of
two hours,--at least during the winter, which was fast approaching.
And thus, had it not been for the festival, I should have been at once
initiated into "choral life."
Though, indeed, but for that glorious time, and my own fantastic
courage, first-fruit of a musical temperament, I had perhaps never
been taught to give that name where I can now bestow none other, so
completely has choral worship passed into my life.
When Margareth left me at the door of a house I had never
entered,--though I knew it well, for it was let out in auction-rooms,
for committees and the like,--I felt far more wild and lost than when
I attended the grand rehearsal hand in hand with Lenhart Davy. He was
my master, though,--I remembered this, and also that he expected a
great deal of me, for he had told me so, and that he had appointed me
a high place among the altos. I had my numbered ticket in my hand, and
upon it my name, and I showed it to a man who was standing above at
the top of the steep staircase. He looked at it, nodded, and pushed me
in.
Public-domain text, read in full here on John Shaqi.
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