Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
There are few girls of fourteen who are women enough to comport
themselves with the inbred dignity that appertains to woman in her
highest development, and there are few women who retain the perfume
and essence of infancy. _These_ were flung around Clara in every
movement, at each smile or glance; and _those_ adorned her as with
regality,--a regality to which one is born, not with which one has
been invested. She did not make tea for Davy, nor did she interfere
with his little arrangements; but she sat by me and talked to me
spontaneously, while she only spoke when he questioned, or listened
while he spoke.
There was perfect serenity upon her face,--yes! just the serenity of a
cloudless heaven; and had I been older, I should have whispered to
myself that her peace of soul was all safe, so far as he was
concerned. But I did not think about it, though I might naturally have
done so, for I was romantic to intensity, even as a boy.
"How is Miss Lemark?" I suddenly inquired, while Davy was in the other
little room. I forgot to mention that my surmise was well founded,--he
_had_ no servant.
"She is much better, thank you, or I should not have come here. The
flowers look very fresh to-day, and she lies where she can see them."
"When will she get up?"
"I have persuaded her to remain in bed even longer than she needs; for
the moment she gets up they will make her dance, and she is not strong
enough for that yet."
Davy here returned, and we began to sing. We had a delicious hour. In
that small room Clara's voice was no more too powerfully perceptible
than is the sunlight in its entrance to a tiny cell,--that glory which
itself is the day of heaven. She sang with the most rarefied softness,
and I quite realized how infinitely she was my superior in art no less
than by nature.
What we chiefly worked upon were glees, single quartet pieces, and an
anthem; but last of all, Davy produced two duets for soprano and
alto,--one from Purcell, the other from a very old opera, the hundred
and something one of the Hamburg Kaiser, which our master had himself
copied from a copy.
"Shall you sing with us in all the four-parted pieces, sir?" I
ventured to ask during the symphony of this last.
"Yes, certainly; and I shall accompany you both invariably. But of all
things do not be afraid, nor trouble yourselves the least about
singing in company: nothing is so easy as to sing in a high room like
that of the Redferns', and nothing is so difficult as to sing in a
small room like this."
"I do not find it so difficult, sir," said Clara, gravely.
"That is because, Miss Benette, you have already had your voice under
perfect control for months. You have been accustomed to practise nine
hours a day without an instrument, and nothing is so self-supporting
as such necessity."
"Yes, sir, it is very good, but not so charming as to sing with your
sweet piano."
"Do you really practise nine hours a day, Miss Benette?"
Public-domain text, read in full here on John Shaqi.
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