Charles Auchester, Volume 1 (of 2)Sheppard, Elizabeth Sara
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Charles Auchester, Volume 1 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"Yes, Master Auchester, always; and I find it not enough."
"But do you practise without a piano?"
"Yes, it is best for me; but when I come to my lessons and hear the
delightful keys, I feel as if music had come out of heaven to talk
with me."
"Ah, Miss Benette!" said Davy, with a kind of exultation, "what will
it be when you are singing _in_ the heart of a grand orchestra?"
"I never heard one, sir, you know; but I should think that it was like
going into heaven after music and remaining there."
"But were you not at the festival, Miss Benette?"
"Oh, no!"
"How very odd, when I was there!"
Davy looked suddenly at her; but though his quick, bright glance might
have startled away her answer, that came as calmly as all her
words,--like a breeze awakening from the south.
"I did not desire to go; Mr. Davy had the kindness to propose I
should, but I knew it would make me idle afterwards, and I cannot
afford to waste my time. I am growing old."
"Now, Miss Benette, there is our servant or your nurse," for I heard a
knock. "Will you let me come to-morrow?"
"Just for half an hour only, because I want to sit with Laura."
"I thank you; thank you!"
"How did you get home last night?" I asked, on the promised meeting.
She was sitting at the window, where the light was strongest, for her
delicate work was in her hand; and as the beams of a paler sun came in
upon her, I thought I had seen something like her somewhere before in
a picture as it were framed in a dusky corner, but itself making for
its own loveliness a shrine of light. Had I travelled among studios
and galleries, I must have been struck by her likeness to those
rich-hued but fairest ideals of the sacred schools of painting which
have consecrated the old masters as worshippers of the highest in
woman; but I had never seen anything of the kind except in cold
prints. That strange reminiscence of what we never have really seen,
in what we at present behold, appertains to a certain temperament
only,--that temperament in which the ideal notion is so definite that
all the realities the least approximating thereunto strike as its
semblances, and all that it finds beautiful it compares so as to
combine with the beautiful itself. I do not suppose I had this
consciousness that afternoon, but I perfectly remember saying, before
Clara rose to welcome me as she always did, "You look exactly like a
picture."
"Do I? But no people in pictures are made at work. Oh, it is very
unpicturesque!" and she smiled.
"I am not going to sing, Miss Benette; there is no time in just half
an hour."
"I _must_ practise, Master Auchester; I cannot afford to lose my half
hours and half hours."
"But I want to ask you some questions. Now do answer me, please."
"You shall make long questions, then, and I short answers."
She began to sing her florid exercises, a paper of which lay open upon
the desk, in Davy's hand.
"Well, first I want to know why are they unkind to Laura, and what
they do to her which is unkind."
Public-domain text, read in full here on John Shaqi.
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