Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
I shall never forget the singularly material aspect of things when I
arrived. Conventionalism is not so rampant in Germany as in England,
and courtesy is taught another creed. I think it would be impossible
to be anywhere more free, and yet this sudden liberty (like a sudden
light) did but at first serve to dazzle and distress me. Only half the
students had returned, and they, all knowing each other, or seeming to
do so, were standing in self-interested fraternities, broken by groups
and greeters, in one immense hall, or what appeared to me immense, and
therefore desolate. I came in through the open gates to the open
court; through the open court into the open entry and from that region
was drawn to the door of that very hall by the hollow multitudinous
echo that crept upon the stony solitude. It was as real to me a
solitude to enter that noble space; and I was more abashed than ever,
when, on looking round, I perceived none but males in all the company.
There was not even a picture of the patron saintess; but there _was_ a
picture, a dark empannelled portrait, high over the long
dining-tables. I concluded from the style that it was a representation
of one Gratianos, the Bachist, of whom I had once heard speak.
The gentlemen in the hall were none of them full grown, and none
wonderfully handsome at first sight. But the manner of their
entertainment was truly edifying to me, who had not long been "out" in
any sense. They every one either had been smoking, were smoking, or
were about to smoke,--that is, most of them had pipes in their mouths,
or those who had them not in their mouths had just plucked them
therefrom, and were holding them in their hands, or those who had not
yet begun were preparing the apparatus.
Public-domain text, read in full here on John Shaqi.
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