Charles Auchester, Volume 2 (of 2)Sheppard, Elizabeth Sara
General
Charles Auchester, Volume 2 (of 2)
Sheppard, Elizabeth Sara
Musical fiction
"We must not forget to call at the garden-house for a rose to put
here," said Franz, running his slight forefinger into his button-hole.
We accordingly went in there. A good many had preceded us, and rifled
the baskets of roses, pinks, and jasmine, that stood about. While we
were turning over those still left, up came somebody, and whispered
that Anastase was bringing in the Cerinthias. I eagerly gazed,
endeavoring, with my might, to look innocent of so gazing. But I only
beheld, between the pillars, the clear brow and waving robes of my
younger master as he bent so lowly before a maiden raimented in white,
and only as he left her; for he entered not within the alcove. As he
retreated, Maria advanced. She was dressed in white, as I have said;
but so dazzling was her beauty that all eyes were bent upon her. All
the chorus-singers were in white; but who looked the least like her?
With the deep azure of our order folded around her breast, and on that
breast a single full white rose, with that dark hair bound from the
arch of her delicate forehead, she approached and presented us each
also with a single rose, exquisite as her own, from the very little
basket I had carried to her that Sunday, now quite filled with the few
flowers it contained. "They are so fresh," said she, "that they will
not die the whole morning!" And I thought, as I saw her, that nothing
in the whole realm of flowers was so beautiful, or just then so fresh,
as herself!
A very little while now, and our conductor, Zittermayer, the superior
in age of Anastase, but his admirer and sworn ally, came in and
ordered the chorus forwards. They having dispersed, he returned for
ourselves,--the gentry of the band. As soon as I aspired through the
narrow orchestra door, I beheld the same sight in front as from the
other end at the day of my initiation into those sceneries, or very
much the same,--the morning sun, which gleamed amidst the leafy
arches, and in the foreground on many a rosy garland. For over the
seats reserved for the Chevalier and his party, the loveliest flowers,
relieved with myrtle only, hung in rich festoons; and as a keystone to
the curtained entrance below the orchestra, the Cecilia
picture--framed in virgin roses by Maria's hand--showed only less
fair than she. At once did this flower-work form a blooming barrier
between him and the general audience, and illustrate his exclusiveness
by a fair, if fading, symbol.
The hall had begun to fill; and I was getting rather nervous about my
English brother and sister, who could not sit together, however near,
when they entered, and found just the seats I could have chosen for
them. Millicent, at the side of the chamber, was just clear of the
flowery division; for I gesticulated violently at her to take such
place.
Public-domain text, read in full here on John Shaqi.
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