The influence of these novel conceptions upon the growth and spread of evolutionary ideas was far-reaching and twofold. In the first place, the discovery of a definite succession of nearly related organic forms, following one another with evident closeness through the various ages, inevitably suggested to every inquiring observer the possibility of their direct descent one from the other. In the second place, the discovery that geological formations were not really separated each from its predecessor by violent revolutions, but were the result of gradual and ordinary changes, discredited the old idea of frequent fresh creations after each catastrophe, and familiarised the minds of men of science with the alternative notion of slow and natural evolutionary processes. The past was seen to be in effect the parent of the present; the present was recognised as the child of the past. Current astronomical theories also pointed inevitably in the same direction. Kant, whose supereminent fame as a philosopher has almost overshadowed his just claims as a profound thinker in physical science, had already in the third quarter of the eighteenth century arrived at his sublime nebular hypothesis, in which he suggested the possible development of stars, suns, planets, and satellites by the slow contraction of very diffuse and incandescent haze-clouds. This magnificent cosmical conception was seized and adapted by the genius of Laplace in his celestial system, and made familiar through his great work to thinking minds throughout the whole of Europe. In England it was further modified and remodelled by Sir William Herschel, whose period of active investigation coincided in part with Charles Darwin's early boyhood. The bearings of the nebular hypothesis upon the rise of Darwinian evolutionism are by no means remote: the entire modern scientific movement forms, in fact, a single great organic whole, of which the special doctrine of biological development is but a small separate integral part. All the theories and doctrines which go to make it up display the one common trait that they reject the idea of direct creative interposition from without, and attribute the entire existing order of nature to the regular unfolding of one undeviating continuous law.