Not the least curious section of this piece of early programme music is a _moderato_ recording the various articles of the capitulation. These are eighteen in number, and each has its own 'theme.' The interspersion of some discords seems to imply serious differences of opinion between the parties to the treaty. There was also a song called 'The Downfall of Paris,' the first verse of which was Great news I have to tell you all, Of Bonaparte and a' that; How Paris it has got a fall, He's lost his plans and a' that. _Chorus._ Rise up, John Bull, rise up and sing, Your chanter loudly blaw that; Lang live our auld and worthy king, Success to Britain, a' that. The instrument beloved of Miss Tox (_D. & S._) was the harpsichord, and her favourite piece was the 'Bird Waltz,' while the 'Copenhagen Waltz' was also in her repertoire. Two notes of the instrument were dumb from disuse, but their silence did not impoverish the rendering. Caddy Jellyby found it necessary to know something of the piano, in order that she might instruct the 'apprentices' at her husband's dancing-school. Another performer was Mrs. Namby, who entertained Mr. Pickwick with solos on a square piano while breakfast was being prepared. When questioned by David Copperfield as to the gifts of Miss Sophy Crewler, Traddles explained that she knew enough of the piano to teach it to her little sisters, and she also sang ballads to freshen up her family a little when they were out of spirits, but 'nothing scientific.' The guitar was quite beyond her. David noted with much satisfaction (though he did not say so) that his Dora was much more gifted musically. When Dickens wrote his earlier works it was not considered the correct thing for a gentleman to play the piano, though it might be all very well for the lower classes and the music teacher. Consequently we read of few male performers on the instrument. Mr. Skimpole could play the piano, and of course Jasper had a 'grand' in his room at Cloisterham. At one time, if we may believe the turnkey at the Marshalsea prison, William Dorrit had been a pianist, a fact which raised him greatly in the turnkey's opinion. Brought up as a gentleman, he was, if ever a man was. Educated at no end of expense. Went into the Marshal's house once to try a new piano for him. Played it, I understand, like one o'clock--beautiful. In the _Collected Papers_ we have a picture of the 'throwing off young gentleman,' who strikes a note or two upon the piano, and accompanies it correctly (by dint of laborious practice) with his voice. He assures a circle of wondering listeners that so acute was his ear that he was wholly unable to sing out of tune, let him try as he would. Mr. Weller senior laid a deep plot in which a piano was to take a prominent part. His object was to effect Mr. Pickwick's escape from the Fleet.