Charles Dickens and MusicLightwood, James T. (James Thomas)
General
Charles Dickens and Music
Lightwood, James T. (James Thomas)
Dickens, Charles, 1812-1870 -- Knowledge -- Music; Music and literature
Little is said about the trombone. We are told, in reference
to the party at Dr. Strong's (_D.C._), that the good Doctor
knew as much about playing cards as he did about 'playing the
trombone.' In 'Our School' (_R.P._) we are told a good deal
about the usher who 'made out the bills, mended the pens,
and did all sorts of things.'
He was rather musical, and on some remote quarter-day
had bought an old trombone; but a bit of it was lost,
and it made the most extraordinary sounds when he
sometimes tried to play it of an evening.
In a similarly dismembered state was the flute which Dickens
once saw in a broker's shop. It was 'complete with the exception
of the middle joint.'
This naturally calls to mind the story of the choir librarian
who was putting away the vocal parts of a certain funeral
anthem. After searching in vain for two missing numbers he
was obliged to label the parcel
'His body is buried in peace.' Two parts missing.
_Organ_
The references to the organ are both numerous and interesting,
and it is pretty evident that this instrument had a great
attraction for Dickens. The gentle Tom Pinch (_M.C._), whom
Gissing calls 'a gentleman who derives his patent of gentility
direct from God Almighty,' first claims our attention. He used
to play the organ at the village church 'for nothing.' It was a
simple instrument, 'the sweetest little organ you ever heard,'
provided with wind by the action of the musician's feet,
and thus Tom was independent of a blower, though he was so
beloved that
there was not a man or boy in all the village and
away to the turnpike (tollman included) but would have
blown away for him till he was black in the face.
What a delight it must have been to him to avail himself of
the opportunity to play the organ in the cathedral when he
went to meet Martin!
As the grand tones resounded through the church they
seemed, to Tom, to find an echo in the depth of every
ancient tomb, no less than in the deep mystery of his
own heart.
And he would have gone on playing till midnight 'but for a
very earthy verger,' who insisted on locking up the cathedral
and turning him out.
On one occasion, while he was practising at the church, the
miserable Pecksniff entered the building and, hiding behind
a pew, heard the conversation between Tom and Mary that led
to the former being dismissed from the architect's office,
so he had to leave his beloved organ, and mightily did the
poor fellow miss it when he went to London! Being an early
riser, he had been accustomed to practise every morning,
and now he was reduced to taking long walks about London,
a poor substitute indeed!
Nor was the organ the only instrument that he could play,
for we read how he would spend half his nights poring over the
'jingling anatomy of that inscrutable old harpsichord in the
back parlour,' and amongst the household treasures that he
took to London were his music and an old fiddle.
Public-domain text, read in full here on John Shaqi.
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