Charles Dickens and MusicLightwood, James T. (James Thomas)
General
Charles Dickens and Music
Lightwood, James T. (James Thomas)
Dickens, Charles, 1812-1870 -- Knowledge -- Music; Music and literature
Maddening church bells of all degrees of dissonance,
sharp and flat, cracked and clear, fast and slow,
made the brick-and-mortar echoes hideous.
In his _Pictures from Italy_ he wrote thus:
At Genoa the bells of the church ring incessantly,
not in peals, or any known form of sound, but in
horrible, irregular, jerking dingle, dingle, dingle;
with a sudden stop at every fifteenth dingle or so,
which is maddening.... The noise is supposed to be
particularly obnoxious to evil spirits.
But it was these same bells, which he found so maddening,
that inspired him with the title of a well-known story. He
had chosen a subject, but was at a loss for a name. As he sat
working one morning there suddenly rose up from Genoa
the clang and clash of all its steeples, pouring into
his ears, again and again, in a tuneless, grating,
discordant jerking, hideous vibration that made his
ideas spin round and round till they lost themselves
in a whirl of vexation and giddiness, and dropped
down dead.... Only two days later came a letter in
which not a syllable was written but 'We have heard
THE CHIMES at midnight, Master Shallow,' and I knew
he had discovered what he wanted.[11]
Yet, in spite of all this, Dickens shows--through his
characters--a deep interest in bells and bell-lore. Little Paul
Dombey finds a man mending the clocks at Dr. Blimber's Academy,
and asks a multitude of questions about chimes and clocks;
as, whether people watched up in the lonely church steeples
by night to make them strike, and how the bells were rung
when people died, and whether those were different bells from
wedding-bells, or only sounded dismal in the fancies of the
living; and then the precocious small boy proceeds to give
the astonished clockmaker some useful information about King
Alfred's candles and curfew-bells.
As Smike and Nicholas tramp their long journey to Portsmouth
they hear the sheep-bells tinkling on the downs. To Tom Pinch
journeying Londonwards 'the brass work on the harness was a
complete orchestra of little bells.'
What a terror the bells are to Jonas Chuzzlewit just before
he starts on his evil journey! He hears
the ringers practising in a neighbouring church, and
the clashing of their bells was almost maddening. Curse
the clamouring bells! they seemed to know that he
was listening at the door, and to proclaim it in a
crowd of voices to all the town! Would they never be
still? They ceased at last, and then the silence was
so new and terrible that it seemed the prelude to some
dreadful noise.
The boom of the bell is associated with many of the villains
of the novels. Fagin hears it when under sentence of death.
Blackpool and Carker hear the accusing bells when in the midst
of planning their evil deeds.
Public-domain text, read in full here on John Shaqi.
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