It was in the spring of 1801--a pleasant beginning of the new century
for them--that the Lambs, after having had all too frequently to
change their lodgings owing to the "rarity of Christian charity,"
which objected to housing a quiet couple because of their affliction,
at length found pleasant residence in 16, Mitre Court Buildings.
Writing to his friend, Thomas Manning--one of the correspondents with
whom he was ever in the happiest vein--Lamb expatiated upon the moving
very much in the style of his later essays:
I am going to change my lodgings, having received a hint
that it would be agreeable, at our Lady's next feast. I
have partly fixed upon most delectable rooms, which look out
(when you stand a tip-toe) over the Thames and Surrey Hills,
at the upper end of King's Bench walks in the Temple. There
I shall have all the privacy of a house without the
encumbrance, and shall be able to lock my friends out as
often as I desire to hold free converse with my immortal
mind; for my present lodgings resemble a minister's levee, I
have so increased my acquaintance (as they call 'em), since
I have resided in town. Like the country mouse, that had
tasted a little of urban manners, I long to be nibbling my
own cheese by my dear self without mouse-traps and
time-traps. By my new plan, I shall be as airy, up four pair
of stairs, as in the country; and in a garden, in the midst
of enchanting, more than Mahometan paradise, London, whose
dirtiest, drab-frequented alley, and her lowest-bowing
tradesman, I would not exchange for Skiddaw, Helvellyn
James, Walter, and the parson into the bargain. O! her lamps
of a night! her rich goldsmiths, print-shops, toy-shops,
mercers, hardwaremen, pastry-cooks! St. Paul's churchyard!
the Strand! Exeter Change! Charing Cross, with the man
_upon_ a black horse! These are thy gods, O London! Ain't
you mightily moped on the banks of the Cam? Had you not
better come and set up here? You can't think what a
difference. All the streets and pavements are pure gold, I
warrant you. At least I know an alchemy that turns her mud
into that metal,--a mind that loves to be at home in crowds.
Public-domain text, read in full here on John Shaqi.
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