The "Last Essays of Elia," published the year before Lamb's death, open with a "Character of the late Elia"--an admirable piece of self-portraiture in which Lamb hit off with great felicity some of his own characteristics, physical and intellectual. In the first of the essays, "Blakesmoor in H----shire," the author let his memory and fancy play about the old house, lately razed, in which his grandmother Field had held sway as housekeeper, in which as child he had passed many happy holidays. Its tapestries, its haunted room, its "tattered and diminished 'Scutcheon," its Justice Hall, its "costly fruit garden, with its sun-baked southern wall," its "noble Marble Hall, with its Mosaic pavements, and its Twelve Caesars--stately busts in marble--ranged round," each of these recalled by memory suggests some deep thought or some pleasant turn. The opening passage at once sets the note of the whole, and may be taken as a representation of Lamb's contemplative mood: I do not know a pleasure more affecting than to range at will over the deserted apartments of some fine old family mansion. The traces of extinct grandeur admit of a better passion than envy; and contemplations on the great and good, whom we fancy in succession to have been its inhabitants, weave for us illusions, incompatible with the bustle of modern occupancy, and vanities of foolish present aristocracy. The same difference of feeling, I think, attends us between entering an empty and a crowded church. In the latter it is chance but some present human frailty--an act of inattention on the part of some of the auditory--or a trait of affectation, or worse, vain-glory on that of the preacher--puts us by our best thoughts, disharmonizing the place and the occasion. But wouldst thou know the beauty of holiness? go alone on some week-day, borrowing the keys of good Master Sexton, traverse the cool aisles of some country church: think of the piety that has kneeled there--the congregations, old and young, that have found consolation there--the meek pastor, the docile parishioner. With no disturbing emotions, no cross conflicting comparisons, drink in the tranquillity of the place, till thou thyself become as fixed and motionless as the marble effigies that kneel and weep around thee.