Charles Lewis Cocke, Founder of Hollins CollegeSmith, William Robert Lee
History
Charles Lewis Cocke, Founder of Hollins College
Smith, William Robert Lee
Cocke, Charles Lewis, 1820-1901; Hollins College
Graduated from Columbian College, and accepted a position at Richmond
College.
1840
On _December_ 31 married Susanna Virginia Pleasants, of Henrico County.
1840-1846
Connected with Richmond College.
1845
Called to take charge of "Valley Union Seminary," a co-educational
school, Roanoke County, Va., at Botetourt Springs.
1846
_June_ 23 arrived at Botetourt Springs to take charge of the school.
1846
_July_ 1 the first session under Mr. Cocke's superintendence opened with
36 boys and 27 girls.
1852
Board of Trustees discontinued the department for boys.
1852
_July_ 20 the session 1852-'53 opened for girls only, under the name The
Female Seminary at Botetourt Springs, Va., Mr. Cocke, Principal,
Registration 81 girls.
1853
_September_ 4 the session of 1853-'54 opened with increased faculty and
registration of 150 girls.
1855
Mr. and Mrs. John Hollins of Lynchburg, Va., donated funds to the
institution, and in their Honor the name was changed to _Hollins
Institute_.
1855-'61
Average attendance 106.
1861-'65
Doors not closed during this period. Average attendance 134.
1865-'71
Average attendance 73.
1871-1900
Buildings, enlarged to accommodate 225 students.
1901
_May_ 4 Charles L. Cocke died.
CHARLES LEWIS COCKE
FOUNDER OF HOLLINS COLLEGE
I think I would rather have written a great biography than a
great book of any other sort, as I would have rather painted
a great portrait than any other kind of picture.
PHILLIPS BROOKS.
CHARLES LEWIS COCKE
CHAPTER I
THE EARLY YEARS
1820-1846
In the library at Hollins College is a life-size portrait of a great
Virginian. In its presence, you instantly feel the spell of a commanding
personality. The figure is tall, graceful, well proportioned, and in the
right hand is a diploma, the proper symbol of the vocation of a College
President. The attitude exactly fits the supreme moment on Commencement
day. In the face, the artist has cunningly gathered the insignia of fine
mental quality, and pictured the forces of achieving manhood. The ample
brow looks the home of ideality and enterprise, the aquiline nose hints
endurance and tireless energy. Napoleon selected as his marshals men
marked by the prominence of this feature. That jaw and chin and those
thin lips speak virility and determination. In the glance of those blue,
eagle eyes, are intimations of keen intensity and lightning force, yet
subduable to all the moods of tenderness and love. Truly, this is a
notably fine presentation in art of one of the noblest Virginians of the
19th century.
Public-domain text, read in full here on John Shaqi.
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