Charles O'Malley, The Irish Dragoon, Volume 2Lever, Charles
General
Charles O'Malley, The Irish Dragoon, Volume 2
Lever, Charles
Peninsular War, 1807-1814 -- Fiction
Another spring was now opening, and a feeling of calm and tranquil
happiness, the result of my successful management of my estate, made my
days pass pleasantly along. I was sitting at a late breakfast in my little
library; the open window afforded a far and wide prospect of the country,
blooming in all the promise of the season, while the drops of the passing
shower still lingered upon the grass, and were sparkling like jewels under
the bright sunshine. Masses of white and billowy cloud moved swiftly
through the air, coloring the broad river with many a shadow as they
passed. The birds sang merrily, the trees shook their leaves in concert,
and there was that sense of movement in everything on earth and sky which
gives to spring its character of lightness and exhilaration. The youth of
the year, like the youth of our own existence, is beautiful in the restless
activity which marks it. The tender flower that seems to open as we look;
the grass that springs before our eyes,--all speak of promise. The changing
phases of the sky, like the smiles and tears of infancy, excite without
weariness, and while they engage our sympathies, they fatigue not our
compassion.
Partly lost in thought as I looked upon the fair and varied scene before
me, now turning to the pages of the book upon the breakfast-table, the
hours of the morning passed quickly over, and it was already beyond noon. I
was startled from my revery by sounds which I could scarcely trust my
ears to believe real. I listened again, and thought I could detect them
distinctly. It seemed as though some one were rapidly running over the keys
of a pianoforte, essaying with the voice to follow the notes, and sometimes
striking two or three bold and successive chords; then a merry laugh would
follow, and drown all other sounds. “What can it be?” thought I. “There is,
to be sure, a pianoforte in the large drawing-room; but then, who would
venture upon such a liberty as this? Besides, who is capable of it? There,
it can be no inexperienced performer gave that shake; my worthy housekeeper
never accomplished that!” So saying, I jumped from the breakfast-table,
and set off in the direction of the sound. A small drawing-room and the
billiard-room lay between me and the large drawing-room; and as I traversed
them, the music grew gradually louder. Conjecturing that, whoever it might
be, the performance would cease on my entrance, I listened for a few
moments before opening the door. Nothing could be more singular, nothing
more strange, than the effect of those unaccustomed sounds in that silent
and deserted place. The character of the music, too, contributed not
a little to this; rapidly passing from grave to gay, from the melting
softness of some plaintive air to the reckless hurry and confusion of an
Irish jig, the player seemed, as it were, to run wild through all the
floating fancies of his memory; now breaking suddenly off in the saddest
Public-domain text, read in full here on John Shaqi.
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