Charles O'Malley, The Irish Dragoon, Volume 2Lever, Charles
General
Charles O'Malley, The Irish Dragoon, Volume 2
Lever, Charles
Peninsular War, 1807-1814 -- Fiction
cadence of a song, the notes would change into some quaint, old-fashioned
crone, in which the singer seemed so much at home, and gave the queer
drollery of the words that expression of archness so eminently the
character of certain Irish airs. “But what the deuce is this?” said I, as,
rattling over the keys with a flowing but brilliant finger, she,--for
it was unquestionably a woman,--with a clear and sweet voice, broken by
laughter, began to sing the words of Mr. Bodkin’s song, “The Man for
Galway.” When she had finished the last verse, her hand strayed, as it
were, carelessly across the instrument, while she herself gave way to a
free burst of merriment; and then, suddenly resuming the air, she chanted
forth the following words, with a spirit and effect I can convey no idea
of:--
“To live at home,
And never roam;
To pass his days in sighing;
To wear sad looks,
Read stupid books,
And look half dead or dying;
Not show his face,
Nor join the chase,
But dwell a hermit always:
Oh, Charley, dear!
To me ‘tis clear,
You’re not the man for Galway!”
“You’re not the man for Galway!” repeated she once more, while she closed
the piano with a loud bang.
“And why not, my dear, why not the man for Galway?” said I, as, bursting
open the door, I sprang into the room.
“Oh, it’s you, is it?--at last! So I’ve unearthed you, have I?”
With these words she burst into an immoderate fit of laughter; leaving me,
who intended to be the party giving the surprise, amazed, confused, and
speechless, in the middle of the floor.
[Illustration: BABY BLAKE.]
That my reader may sympathize a little in my distresses, let me present him
with the _tableau_ before me. Seated upon the piano-stool was a young-lady
of at most eighteen years: her face, had it not been for its expression of
exuberant drollery and malicious fun, would have been downright beautiful;
her eyes, of the deepest blue, and shaded by long lashes, instead of
indulging the character of pensive and thoughtful beauty for which Nature
destined them, sparkled with a most animated brightness; her nose,
which, rather short, was still beautifully proportioned, gave, with
her well-curled upper lip, a look of sauciness to the features quite
bewitching; her hair--that brilliant auburn we see in a _Carlo Dolci_--fell
in wild and massive curls upon her shoulders. Her costume was a dark-green
riding-habit, not of the newest in its fashion, and displaying more than
one rent in its careless folds; her hat, whip, and gloves lay on the floor
beside her, and her whole attitude and bearing indicated the most perfect
ease and carelessness.
“So you are caught--taken alive!” said she, as she pressed her hands upon
her sides in a fresh burst of laughter.
“By Jove! this is a surprise indeed!” said I. “And, pray, into whose fair
hands have I fallen a captive?” recovering myself a little, and assuming a
half air of gallantry.
“So you don’t know me, don’t you?”
Public-domain text, read in full here on John Shaqi.
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