One of the beautiful pictures adorning the dome of a church in Home, by that master of Art, whose immortal colors speak as with the voice of a poet, the Divine Raphael, represents Mars in the attitude of War, with a drawn sword uplifted and ready to strike, while an unarmed angel from behind, with gentle, but irresistible force, arrests and holds the descending hand. Such is the true image of Christian duty; nor can I readily perceive any difference in principle between those ministers of the Gospel who themselves gird on the sword, as in the olden time, and those others, unarmed, and in customary suit of solemn black, who lend the sanction of their presence to the martial array, or to any form of preparation for War. The drummer, who pleaded that he did not fight, was held more responsible for the battle than the soldier,--as it was the sound of his drum that inflamed the flagging courage of the troops. * * * * * 4. From prejudices engendered by the Church I pass to prejudices engendered by the army itself, having their immediate origin in military life, but unfortunately diffusing themselves throughout the community, in widening, though less apparent circles. I allude directly to what is called _the Point of Honor_, early child of Chivalry, living representative of its barbarism.[67] It is difficult to define what is so evanescent, so impalpable, so chimerical, so unreal, and yet which exercises such fiendish power over many men, and controls the intercourse of nations. As a little water, fallen into the crevice of a rock, under the congelation of winter, swells till it bursts the thick and stony fibres, so a word or slender act, dropping into the heart of man, under the hardening influence of this pernicious sentiment, dilates till it rends in pieces the sacred depository of human affection, and the demons Hate and Strife are left to rage. The musing Hamlet saw this sentiment in its strange and unnatural potency, when his soul pictured to his contemplations an "army of such mass and charge, Led by a delicate and tender prince,... Exposing what is mortal and unsure To all that fortune, death, and danger dare, _Even for an egg-shell_"; and when, again, giving to the sentiment its strongest and most popular expression, he exclaims,-- "Rightly to be great Is not to stir without great argument, _But greatly to find quarrel in a straw, When honor's at the stake_." [67] The _Point of Honor_ has a literature of its own, illustrated by many volumes, some idea of which may be obtained in Brunet, "Manuel du Libraire," Tom. VI. col. 1636-1638, under the head of _Chevalerie au Moyen Age, comprenant les Tournois, les Combats Singuliers_, etc. One of these has a title much in advance of the age in which it appeared: "Chrestienne Confutation du Point d'Honneur sur lequel la Noblesse fonde aujourd'hui ses Querelles et Monomachies," par Christ. de Chiffontaine, Paris, 1579.