Charles Tyrrell; or, The Bitter Blood. Volumes I and IIJames, G. P. R. (George Payne Rainsford)
General
Charles Tyrrell; or, The Bitter Blood. Volumes I and II
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 19th century -- Fiction; Murder -- Fiction
In a pleasant part of Hampshire, where I have passed many of the
bright and sunshiny days of my early existence, not very far from the
seacoast, there stands a house with which is connected three or four
legends, each of a very interesting character, but from which I choose
one as having reference to times and events within my own remembrance.
It is a very large and convenient house, without any pretensions to
architectural decoration, with no relationship to any style
whatsoever, and constructed upon no principles except those implanted
by nature, which teaches man to construct for himself a dwelling the
best adapted to his own wants and conveniences. It had, in fact, at
one time been a small house, built indeed with regard to no economy of
space, but only with regard to the comfort of its first owners, who
required but few apartments, yet made them as roomy as could be
desired. It had been added to by about three generations, who,
increasing in wealth and luxury, demanded more accommodation; and
thus, though on one side of the building some degree of order and
regularity was still preserved--that is to say, the windows were all
in a line, and of the same number in each of the stories--on the other
side they had been posted wherever pleasure or convenience suggested;
so that the northern front was like a child's first drawing of a
house, in which a window and a door are put in wherever a place is
found open for them.
At the time I knew the building it was covered with stucco on the
outside, and in appearance was as unlike a place in which tragedy or
romance ever had been, or ever was likely to be enacted, as it is
possible to conceive. There was a cheerfulness about its aspect, a
bright, whitewashed, unsentimental gayety of appearance that spoke of
blithe and joyful things; but, at the same time, it was relieved from
the harshness and vulgarity with which whitewashed buildings are
generally invested by the scenery that surrounded it, by the pleasant
irregularity of its aspect, and by a number of old chimneys that came
peeping over the parapets in odd places where nobody expected them. It
was imbosomed, too, in a deep wood, which came up to three out of the
four angles of the building, leaving long sunshiny lawns--only broken
here and there by a fine tree with a garden-seat beneath it--sweeping
up to the three principal fronts of the house.
Public-domain text, read in full here on John Shaqi.
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