Charles Tyrrell; or, The Bitter Blood. Volumes I and II — John Shaqi
Charles Tyrrell; or, The Bitter Blood. Volumes I and IIJames, G. P. R. (George Payne Rainsford)
General
Charles Tyrrell; or, The Bitter Blood. Volumes I and II
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 19th century -- Fiction; Murder -- Fiction
On the outside of the wall all was fair and smooth, no building of any
kind being suffered to deface the external appearance of that high and
imposing mass of lichen-covered brickwork, except--alas! that there
should be an exception to everything in this world--except one little
solitary toolshed, of the ugliest and most anomalous aspect, stuck on
like an imposthume on the face of the tall wall, and offending the eye
on the very first approach to the garden. Many and many a time have I
petitioned that it should be removed; but there was some impediment in
the very nature of things, it would seem, which prevented the request
from being attended to.
The tools that were kept therein were not, it would seem, a part and
parcel of the gardener's utensils. They belonged to the woodmen, and,
of course, the gardener would not give them admission within his
domain. The place where the great bulk of the woodmen's tools were
kept was at the opposite side of the wood, a mile and a half off. It
was very handy to have the tools near; and it would seem, that for
various reasons, the nature of which I could never find out, or, at
least, not understand, there was no place whatsoever in the wood round
about which was so convenient as that spot against the garden wall.
Such, at least, was the report of the woodman; and, of course, as he
was a very veracious person, and somewhat surly withal, I was bound to
believe him, and say nothing more upon the subject.
Now let not the reader suppose that either in the long and vague
proemium with which this chapter opens, and in which he will find
hereafter some reference to the tale; or in this minute and curious
description of the house and grounds, especially of the paths leading
to the back walk and the garden, that I have been led away by the vain
desire of reading homilies to those who will not hear, or of dwelling
with a sort of doting pleasure upon scenes which I loved in my youth,
and about which few care or are interested besides myself. Every
author, whose fingers are worthy to hold a pen, has an object in each
sentence that he writes; and--although in the multitude of characters
which throng the world, and the difficulty of ascertaining men's real
feelings from their outward appearances, it would be impossible to put
the right direction upon each epistle--every half page of every book
that is worth reading is addressed to some particular person or class
of persons, who are supposed by the author to be capable of
understanding and appreciating him. The description that we have
given, however, has a more general purpose, and the reader is besought
earnestly to remember every word of it, or, at all events, to put a
piece of paper in the place, inasmuch as, without having that scene
constantly before his eyes, and knowing and comprehending it all as
well as if he had walked through it a hundred times, he cannot clearly
and distinctly understand the matter that is to follow.
Public-domain text, read in full here on John Shaqi.
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