Charlestown Navy Yard: Boston National Historical Park, Massachusetts — John Shaqi
Charlestown Navy Yard: Boston National Historical Park, MassachusettsUnited States. National Park Service
History
Charlestown Navy Yard: Boston National Historical Park, Massachusetts
United States. National Park Service
Boston Naval Shipyard (Boston, Mass.) -- History; Charlestown Navy Yard (Mass.) -- History
To make up for the shortages, the yard began for the first time hiring
significant numbers of women and African Americans. Their door of
opportunity, unlocked by the needs of a war economy, was kept open by
pressure from civil rights groups on the Roosevelt administration (often
relayed by a sympathetic Eleanor Roosevelt). Women at the yard had
traditionally worked in clerical positions and as phone operators, and
this remained true at war’s outset. But more and more women found work
in the industrial shops, notably as welders and at the ropewalk (the
latter having employed them during World War I). At least in some shops,
however, there were restrictions. Gloria Brandenberg, who worked in the
Paint Shop, recalled that all painter’s helpers were female, supervised
by a woman (the “leading lady”), while all painters were male.
Brandenberg said there was no chance for advancement.
By 1943 female blue-collar workers outnumbered women in clerical
positions. Some 7,700 women were on the rolls in late 1944—far above
their prewar level and about 19 percent of the workforce. Many worked as
welders on ships under construction, but yard officials wary of contact
between female workers and male crews barred women from all vessels in
for repair. Painter’s helper Brandenberg recalled that the women were
not allowed even to talk to sailors.
While African Americans were not officially excluded from Charlestown’s
prewar workforce, few had been employed. When the war created
opportunities for them, some whites openly resisted their presence in
skilled positions. But this was not a universal attitude. Allan Crite, a
black illustrator in the Design Department, said he experienced no
racial problems. Inevitably, though, tensions arose in some areas.
Gloria Brandenberg recalled an evening at a social club with her
coworkers from the Paint Shop, one of whom was African American. She was
asked to leave. The group talked it over; they all left. But the records
show no major racial conflict at the yard. At war’s end more than 2,300
African Americans were in the force of 32,000 workers.
By late 1942, the yard had settled into a wartime routine—to the extent
that routine is possible during war. Normal peacetime constraints didn’t
apply. “During the war there wasn’t much emphasis on estimates,”
recalled plumber Lyman Carlow. “For one thing, there wasn’t time. Here’s
the job; we need the ship right away; get it done and whatever it costs
it costs ... it was just a real frantic pace ... the material just
flowed in ... plenty of people, so we could really get the work done.”
More than the higher level of general activity and the large numbers of
workers (around 36,000 at this point), it was the volume of new
construction that characterized the wartime yard. A walk around the yard
on November 23 would have revealed ships being built in every facility
but Dry Dock 2, used only for repairs.
Public-domain text, read in full here on John Shaqi.
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