Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
Haverleigh there as interpreter, she thought; and there
began to grow in her a sense of nearness to her husband, a feeling of
dependence upon and protection in him such as she had not experienced
before.
‘I believe I could love him after all; anyway, I mean to try, and will
begin to-night,’ she thought, just as there came a knock upon the door,
and in answer to her ‘_Entrez_,’ the one French word besides oui which
she knew, a smart-looking young woman entered, followed by a man, who
was bringing in her trunks.
“With a low courtesy, the girl managed to make Anna understand that her
name was Celine, and that she was to be her waiting-maid, and had come
to dress her for dinner.
“‘_Voyez les clefs_,’ she said, holding up the keys which her master had
given her, one of which she proceeded to fit to a certain trunk, as if
she knew its contents, and that it contained what she wanted.
“Anna had not before had the luxury of a maid, but she accepted it
naturally as she did everything else, and gave herself at once into the
deft hands of Celine, who brushed and arranged her beautiful hair with
many expressions of delight, not one of which Anna understood. But she
knew she was being complimented, and when her toilet was completed, and
she saw herself in one of the long mirrors arrayed in a soft, light gray
silk, with trimmings of blue and lace, with flowers in her hair, and
pearls on her arms and neck, she felt that Celine’s praises were just,
and laughed back at the vision of her own loveliness.
“‘Oh, if the folks at home could see me now they would say it paid,’ she
thought, as she walked up and down the apartment, trailing her silken
robe after her, and catching frequent flashes of her beauty in the
mirrors as she passed.
“And still there was a little of the old homesickness left, a yearning
for companionship, for somebody to see her, somebody to talk to, and
then she remembered her resolution to try to love her husband, and she
said again: ‘I’ll do it, and I’ll begin to-night.’
“But where was he that he left her thus alone, walking up and down,
until, too tired to walk longer, she seated herself upon a satin couch
to await his coming, little dreaming as she sat there of the scene which
had taken place between him and Madame Verwest, who had invited him to
her own room, and then turning fiercely upon him, demanded: ‘Tell me, is
she your wife, or another Agatha, brought here to beat her wings against
her prison bars until death gives her release? She is too young for
that, too beautiful, too innocent, with those childish eyes of blue.
Tell me you mean well by her, or——’
Public-domain text, read in full here on John Shaqi.
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