Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
There was a sharp ring at the door and a servant brought a note to
Lottie, who, feeling intuitively that it in some way concerned her
greatly, tore it open at once, her face flushing and then turning pale
as she read that the Misses Barrows had just received news that their
mother was dying, and they must start for home that night if they would
see her alive. It was a bitter disappointment, and Lottie felt as if
that poor woman dying in that little village in Ohio had somehow injured
her. But there was no help for it now. The Barrowses were out of the
question, and in her utter helplessness and distress, she turned to John
to know what they should do.
“It is a failure, of course,” she said, and the great tears stood in her
fine eyes.
John hesitated a moment and glanced toward his wife, and then to her
utter dismay replied:
“Not necessarily an entire failure, perhaps. I think it just possible
that Mrs. Craig can play the accompaniments and, possibly, sing as
well.”
“Oh, John,” Kitty gasped, while Lottie’s black eyes flashed a curiously
doubtful glance at her and Lottie’s voice said:
“_She—your wife_,” as if even to her the idea was preposterous.
“Yes, my wife,” John answered, proudly. “She has a fine voice and was
accounted a good musician at home.”
“And will she—will you try?” Lottie asked, willing, now that her first
feeling of surprise was over, to grasp at a straw. “Dear Mrs. Craig,
will you try? It is a positive failure if you do not. I might ask that
horrid Mrs. Banks, but her voice is like a peacock’s. Do. Mrs. Craig,
and I will love you forever.”
She had her arm around Kitty’s waist and was drawing her toward the
piano where in a moment poor, bewildered Kitty found herself seated with
piles of music before her and a crowd of strange people staring at her
and asking each other who that little nun-like woman was, and where the
Misses Barrows were. Very softly Kitty played over a few of the more
difficult places, and Lottie, who was a judge of fine playing, began to
feel confidence in her new performer, and whispered encouragingly:
“You are doing splendidly,” while to herself she groaned: “Oh, if I only
knew what her voice was.”
She did know ere long, and as Kitty’s clear, birdlike tones began to
fill the room, growing sweeter, and clearer and stronger as Kitty became
more confident of herself, she could have hugged the little woman in her
joy, and did kiss her when the musicale was over and pronounced a
perfect success.
“You are a darling, a second Nilsson. I shall never forget this, never,”
she said, while many of her friends crowded around Kitty, asking for an
introduction and thanking her for the treat she had given them. “And to
think she never tried the music before! It is wonderful,” Lottie kept
saying while others, too, expressed their surprise that she could play
such difficult music at sight.
Public-domain text, read in full here on John Shaqi.
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