Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
For a few moments Kitty sat irresolute; then her love of truth prevailed
over every other feeling, and crossing to where John stood, she put her
hand on his arm and said: “Please let me speak a word to you all.”
In an instant there was a hush throughout the room, and every eye was
fixed upon the brave little woman who would not even act a lie, and
whose voice was very clear and distinct, as she said: “It would be wrong
for me to leave an impression on your minds that I never tried that
music before. I have played it many times at home for my husband, and
sang it with him when he was practicing. I cannot play at sight like
that. I am not a very fine musician.”
“But you are a good, conscientious, little darling!” was Lottie’s
impulsive exclamation, while a murmur of admiration for this unexpected
frankness ran through the room. “I could never have done that, I know I
could not. I should just let them think it was my first effort, but
somehow I love you better for it,” Lottie whispered to Kitty, when for a
moment they stood together alone, and as she said it, the fashionable
woman of the world felt that she had learned a lesson of good from
plain, simple-hearted Kitty, who found herself the belle of the evening,
and received so much attention that when at last she was put into
Lottie’s carriage and sent home, with Lottie’s kiss warm on her lips,
and Lottie’s assurance that she should see a great deal of her now that
she knew her, she felt herself to be in a bewildered, dazed kind of
state, sure of nothing except that the door of society, so long locked
and barred against her, was open now, and that if she chose, she could
enter the charmed circle she had once thought so desirable.
“Guess what I’ve brought you, little woman? An invitation to dine with
Mrs. Steele! What think you of that?” John said to Kitty one night,
about a week after the drawing-room musicale. “The Guiles and Orrs are
to be there, too. Quite an affair! You don’t suppose there would be time
for you to get a new dress made, do you?”
John was a good deal excited, and, if the truth was told, a little proud
of being invited to a company dinner with the old and haughty members of
the firm.
“Just our own people, you know—papa’s family and the Orrs,” Lottie had
said to him, and John felt that he was recognized as one of “our own
people,” and was flattered accordingly, and said he knew no reason why
he should not accept; and thought to himself that Kitty should have a
new dress, made with puffs, and ruffles, and bows, and which should
stand out like Lottie Steele’s, and have a New York look.
Public-domain text, read in full here on John Shaqi.
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