“‘Ernest, this is our first coming home, and I want to thank you for all the beautiful things with which you have surrounded me, and to tell you that I mean to be the best and most faithful of little wives to you.’ “It was quite a speech for Anna, who stood in great fear of the man she could not understand, and who seemed to her to be possessed of two spirits, one good and one bad, and should she rouse the latter she knew it would not be in her power to cope with it. But she had no fear of rousing it now, and she felt as if turning into stone when, for reply to her caress, he sprang to his feet and placing a hand on either of her shoulders, stood looking at her with an expression in his eyes she could not meet and before which she cowered at last, and with quivering lip said to him: “‘Please take your hands from my shoulders; you hurt me, you press so hard. And why do you look so terribly at me? You make me afraid of you, and I wanted to love you to-night. What have I done?’ “Then he released her, and flinging her from him left the salon without a word, and she saw him no more that night. At eleven o’clock Celine came in to undress her, and when Anna managed to make her understand that she wished to know where Monsieur Haverleigh was, she only received for answer a meaning shrug and a peculiar lifting of the eyelids, which she could construe as she liked. It was not so pleasant a home-coming after all, and Anna’s first night at the chateau was passed with watching, and waiting, and tears, and that intense listening which tells so upon the brain. Once she thought to leave the room, but the door was bolted on the other side, and so at last, when wearied with walking up and down the long apartment, she threw herself upon the rosewood bed and fell into a disturbed and unrestful sleep. “Meanwhile the master—Haverleigh—was fighting a fiercer battle with himself than he had ever fought before. He had said that his mind was made up, and he was one who boasted that when once this was so nothing could turn him from his purpose; his yea was yea, his nay, nay, but those white arms around his neck, and the touch of those fresh lips upon his forehead had not been without their effect, though the effect was like the pouring of molten lead into his veins, and had made him what, at times, he was, a mad man. When he rushed from Anna’s presence, with that wild look in his eye and the raging fire in his heart, he went straight to the dark, dreary room where Agatha had died with the sweet refrain ‘_Je vais revoir, ma Normandie_,’ upon her lips, and there amid the gloom and haunting memories of the place walked up and down the livelong night, now thinking, thinking, with head bent down, and now gesticulating in empty air with clinched fist, and again talking to himself, or rather to the spirits, good and bad, which seemed to have possession of him.