Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“_Free from her!_ Did he wish to be that? For a moment, when he
remembered the glittering black eyes, the only eyes in the world which
had power to make him quail, he half believed he did. On his return to
Paris he had met the woman with the glittering eyes, which seemed to
read his very soul, and ferret out his inmost thoughts. There had been a
stormy scene, for Eugenie Arschinard was not one to brook a rival. She
had compassed the ruin of poor Agatha of Normandy, whom, but for her,
Haverleigh might have dealt fairly with, and made the marriage tie more
than a mere farce, a horrid mockery. From his town-house in London,
Eugenie had seen the young, fair-haired girl driving by and looking so
eagerly at the place, and with her thorough knowledge of the world, she
knew her to be an American, and guessed her to be some new flame whom he
had lured from home, as the plaything of an hour. She never for a moment
believed him married; he was not a marrying man; he dared not marry,
bound as he was to her by the tie of honor, which, in her infidel heart,
she held above the marriage vow. So when she met him in Paris by
appointment, she charged him with his new fancy, demanding who and where
she was, and he was a very coward in her presence, and dared not tell
her the truth of that simple wedding among the New England hills, but
suffered her to believe that Anna, like Agatha, was only his dupe, whom
he could cast off at pleasure. Eugenie had no wish, at present, to be
bound herself. She was true to Haverleigh, and she enjoyed to the full
the luxuries with which he surrounded her, and in Paris, where such
connections were common, she had her circle of friends, and reigned
among them a queen because of Haverleigh’s name and the style in which
she lived. By and by, when she was older, and ceased to attract
admiration, she meant to marry him and so pass into a respectable old
age, but just now her freedom suited her best, and she gave no sign of
her real intentions for the future. But Haverleigh knew well that to
confess he had a wife was to raise a storm he had not courage to meet,
and so he told her the girl she had seen was a little wild rose from
America, whom he had lifted from poverty and taken to Chateau d’Or.
“‘You know I must have something to amuse me when I am at that dreary
place, and Anna does as well as any one. A little washed-out, spiritless
body of whom you need not be jealous.’
Public-domain text, read in full here on John Shaqi.
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