Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“She had found it in a little inclosure on the island which held Chateau
d’Or choked with tall grass and weeds, and smothered by the drooping
branches of the pine and willow which overshadowed it and hid from view
the plain white stone on which was simply inscribed, ‘Agatha, aged 20.’
Nothing to tell when she died, or where, or where her home had been, and
what her life. But Anna knew now all the sad story of the sweet
peasant-girl lured from her home by promises of a marriage, which did
take place at last, but with a flaw in it which made it illegal, and
poor Agatha no wife. Then, when reparation had been refused, she had
held herself as pure and spotless as was Eve when she came first from
the hands of her Creator, but had gone mad with shame and remorse, and
died at Chateau d’Or, with a song of Normandy on her lips.
“With the help of Celine, the weeds and grass were cleared away from the
neglected yard, which, as the summer advanced, grew bright with flowers
and vines, and was Anna’s favorite resort. Here she would sit for hours
with her head bent down, thinking sadly of the past, and wondering what
the future, which many a young wife would have looked forward to
eagerly, might have in store for her. When first there dawned upon her
the possibility that another life than her own might be intrusted to her
keeping she had recoiled with horror, feeling that she could not love
the child of which Ernest Haverleigh was father; then there crept over
her a better, softer feeling, which was succeeded by a presentiment
which grew to a certainty that both would die, mother and little one,
and be buried by Agatha; there was just room between her grave and the
fence, room in length and breadth both, for she had lain herself down in
the grass and measured the space with her own person. She would have a
headstone, too, like Agatha, with ‘Anna, aged 19’ on it, and in the
other world, far away from Chateau d’Or, she might perhaps meet Agatha
some day, and with her recount the sorrows they had borne, and which had
helped to fit them for the eternal home, where Anna hoped now and
believed she would go. Sorrow had brought her to her Saviour’s feet, and
she felt that whether she lived or died it would be well with her.
Public-domain text, read in full here on John Shaqi.
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