Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“Eugenie Arschinard, who knew him so well, kept her own counsel, but of
the four ladies none were half as anxious to see Anna Haverleigh as
herself. It was late one lovely September afternoon when the guests
arrived at the chateau, where all was in readiness for them, and Madame
Verwest, in her best black silk and laces, stood waiting for them,
courtesying respectfully as they were presented to her, and then
conducting them to their several rooms. Anna was not present to receive
them. She preferred not to see them until dinner, and stood waiting for
her husband in the salon. She had not been permitted to wear mourning
for her mother, as she had wished to do, but on this occasion she was
dressed in a black silk grenadine, with puffings of soft illusion lace
at her neck and wrists, while her only ornaments were a necklace and
earrings of jet. To relieve the somberness of this attire, Celine had
fastened in her bright, wavy hair a beautiful blush rose, which was far
more effective than any costly ornament could have been, and had Anna
studied her toilet for a month, she could not have chosen a more
becoming one, or one which better pleased her fastidious lord. She was
beautiful as she stood before him with that pale, pensive style of
beauty so attractive to most men, and as he held her in his arms he
felt, for a few moments, how far superior she was to the brazen, painted
women he had brought there as her associates, and for half an instant he
resolved to keep her from them, lest so much as their breath should fall
upon and contaminate her in some way. But it was too late now. She must
meet them day after day, and he must see her with them, and go on acting
his false part, and make himself a still greater villain, if possible,
than ever. But he would be very kind to her, and deferential, too,
especially before Eugenie, whom for the time being he felt that he hated
with a most bitter hatred, not only for what she was, but for the power
she had over him. How gorgeous she was at dinner in her dress of crimson
satin, with lace overskirt, and diamonds flashing on her neck and arms,
and how like a queen, or rather like the mistress of the house, she
carried herself among her companions as they stood in the grand salon
waiting for Mrs. Haverleigh, the younger portion speculating upon the
probabilities of her acting rationally in their presence, while she,
Eugenie, listened to their speculations with a scornful curl on her lip,
and an increased glitter in her black eyes.
Public-domain text, read in full here on John Shaqi.
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