Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“Eugenie, however, often sought her society, attracted by the look in
her face to the lost one, and by a desire to see how far the story of
her insanity was true, and to know something of her early history. But
it was not until the party had been at the chateau for three weeks, and
were beginning to talk of going back to Paris, or still farther south to
Nice or Mentone, that an opportunity for the desired interview presented
itself.
CHAPTER VII.
EUGENIE AND ANNA.
“It had been Anna’s daily custom to steal away after lunch to her
favorite resort, the little yard where Agatha was buried, and where one
of the servants had built her a rustic seat beneath the trees, and here
Eugenie found her one afternoon, and leaning over the iron fence asked
first if she might come in, and next whose grave it was. From where she
stood she could not see the name upon the headstone, but when Anna
answered, ‘It is the grave of the young girl who is said to haunt the
chateau; you have heard the absurd story, of course,’ she was interested
at once, for she had heard from her maid something of a ghost whose
plaintive cry for home was heard wailing through the long, dark
corridors, and in the lonely rooms, especially on stormy nights when the
wind was high, and shook the massive walls of the chateau. Eugenie was
not at all superstitious, and knowing that nearly every old place like
Chateau d’Or had its ghost and ghost room, she had paid no attention to
the tale as told her by Elise, but when it assumed a tangible form in
the shape of a real grave, her curiosity was roused, and without waiting
for Anna’s permission she passed through the gate, and going round to
the seat where Anna sat, said:
“‘Then there was a girl who died and was buried here? Who was she? Do
you know?’
“‘It was before I came,’ Anna answered, ‘and I only know that she was
sick—crazy, they said, from some great wrong done to her, and quite up
to her death she kept singing of her home in Normandy.’
“‘Normandy! Did you say she came from Normandy? What was her name?’
Eugenie asked, but before Anna could answer she bent down and read
‘Agatha, aged 20.’
“‘Agatha!’ she repeated, as she grasped the headstone and stood with her
back to Anna, who thus did not see the corpse-like pallor which spread
all over her face as a horrible suspicion passed through her mind.
‘Agatha what? Had she no other name?’ she asked at last, when she had
mastered her emotion sufficiently to speak in her natural voice.
“‘Yes. Agatha Wynde,’ Anna replied, and was instantly startled by a low,
sharp cry from her companion, who laid her hand upon her side,
exclaiming:
“‘It’s my heart. I’m subject to it; but don’t call any one; let me sit
here until I’m better. Anything like a fuss around me disturbs me so
much.’
Public-domain text, read in full here on John Shaqi.
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