Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“‘Then I believe I went mad, and for weeks I scoured Paris in quest of
her, but found her not, and I grew desperate, for I knew the world
better than she did, and knew he would not marry her, and so the
wretched months dragged on and grew into a year and a half, and then the
white-haired father wrote me our darling was dead, where, or how, or
when he did not know, only she was dead, with a blight on her name I was
sure, and I think I was glad she was gone before she grew to be what I
was. I folded away all the pretty dresses and trinkets I had saved for
her; I put them in a chest and turned the key, and called it _Petite’s_
grave, and made another grave in my heart, and buried there every
womanly instinct and feeling, and stamped them down and said I did not
care to what lengths I went now that _Petite_ was gone. Then I painted
my face, and braided my hair, and put on all my diamonds, and went to
the opera that very night, and was stared at and commented upon, and
called the best dressed woman there, and I had a _petit souper_ after at
my home, and was admired and complimented by the men who partook of my
hospitality, and whom I hated so bitterly because they were men, and
through such as they _ma Petite_ was in her grave.’
“‘And did you never hear how she died, or where?’ Anna asked, without a
shadow of suspicion as to the truth.
“‘Yes,’ Eugenie replied. ‘After years—three years, I believe, though
they seemed a hundred to me—I heard that my darling was pure and white
as the early snow which falls on the fields in the country. The wretch
could not possess her without the marriage tie, and so entangled was he
with another woman, who had great power over him, that he dared not make
her his wife; and so there was a form, which would not stand and was no
marriage at all, and when she found it out she went mad, and died with a
song of home on her lips. Yes, went mad—mad, my darling. You know whom I
mean.’
“She hissed out the two words, ‘mad, mad,’ and rocked to and fro in her
anguish, while Anna, with a face as white as the dead girl’s in her
grave, whispered back:
“‘You mean Agatha.’
“‘Yes, I mean Agatha—Agatha—my pet, my pride, my idol. Agatha, lured,
deceived, betrayed, ruined, murdered by the man on whom I who would have
given my heart’s blood to save her, was even then wasting my
blandishments, and doing all I could to keep him from a new love. Oh,
Agatha, if you could but know the grief I am enduring for my sin. No
Magdalen ever repented more bitterly than do I, but for me there is no
voice bidding me sin no more, and I shall go on and on, deeper and
deeper, till the horror of the pit overtakes me, and Agatha and I will
never meet again—never, never.’
Public-domain text, read in full here on John Shaqi.
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