Chateau d'Or, Norah, and Kitty CraigHolmes, Mary Jane
General
Chateau d'Or, Norah, and Kitty Craig
Holmes, Mary Jane
American fiction -- 19th century; Americans -- France -- Fiction; Manners and customs -- Fiction
“‘_Die! Jamais!_ You shall go home—back to the leetle house, and the
wax, and the leather, and the smell-bad, and the mother who is _not_
dead. I not believe that, it is one part of the great whole; _la mere_
not dead, and you shall see her yet. Give me the—the—what you say—_post
restante—l’addresse_ of the little _village_, and I write _toute de
suite_. Trust me, _ma petite enfant_. Trust Eugenie, for the sake of
Agatha.’
“It seemed to Anna that when Eugenie attempted English she was softer
and more womanly in her way of expressing herself; was very pretty and
sweet, and Anna began to feel a degree of trust in and dependence upon
her which astonished herself. Eugenie remained at the chateau a week
longer, but never again took any part in the gayeties which without her
suggestive and ruling spirit, were inexpressibly flat and stale. To
Haverleigh she was cold and distant to a degree, which angered him
sorely and made him cross, and irritable, and moody; but he was far from
suspecting the cause of Eugenie’s changed demeanor, and never dreamed of
connecting it in any way with Agatha, or suspected the intimacy
springing up between his wife and Eugenie.
“It was no part of Eugenie’s plan that he should do so, and though she
saw Anna often in the privacy of her apartment, where she spent much of
her time, she scarcely ever spoke to her in the presence of Haverleigh,
except to pass the compliments of the day, and when at last she left the
chateau for good, there was a simple hand-shake and _au revoir_ between
herself and Anna, who, nevertheless, grew more cheerful and happy, but
kept, even from Madame Verwest, the hope she had of a release, or at
least of hearing once more from home. How this would be accomplished she
did not know, but she trusted to Eugenie’s ready wit and ingenuity in
deceiving Haverleigh, who lingered at the chateau until November and who
grew so moody, and unreasonable, and tyrannical that, popular as he
usually was with his servants, every one hailed his final departure with
delight.
“When next Anna heard from him he told her of a dangerous and most
unaccountable illness which had come upon Eugenie the very day she
reached Paris.
“‘She did not go straight home,’ he wrote, ‘but took a roundabout way
through Normandy, where in some obscure place she spent a week with her
father, who, it seems, died while she was there. His death or something
upset her terribly, and she has suffered, and is still suffering, with a
nervous fever which makes her perfectly dreadful at times—out of her
head in fact—and she will not see one of her old friends. Even I, who
have known her so long, am forbidden the house, her nurse telling me
that she actually knows when I step on the stair and instantly grows
fearfully excited. So, lest I make her worse, I only send now twice a
day to inquire how she is. They say she talks a great deal of _La
Petite_, and Anna when delirious. That Anna is you, of course, but who
is _Petite_? Do you know?’
Public-domain text, read in full here on John Shaqi.
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