About the time of the Exhibition of 1851 there was great energy displayed by the Worcester factory. Especially noticeable were the enamelled vases, dishes, and ewers. This Worcester enamel is a variety of Limoges work (the Limoges being on copper and the Worcester wholly porcelain), which consists of applying semi-opaque white enamel of varying strength, produced by superimposing more or fewer layers in gradation upon a deep rich ground of blue. These enamels were designed to copy the fifteenth and sixteenth century work, and succeeded very well in their object. Later, Worcester essayed to produce jewelled porcelain, in which Berlin and Vienna had excelled a century before. It won especial praise at Paris in the 1867 Exhibition, and became a great financial success. Whether it be with the Limoges ivory or with the newer Japanese designs which entered into the later Worcester productions, the Royal manufactory of the “faithful city” has always held its own with the foreign rivals and competitors at international exhibitions. At Berlin, Paris, Vienna, at Philadelphia, at Chicago, the success of modern Worcester is evidence enough of its vitality. CHARACTERISTICS OF OLD WORCESTER CHINA. In the early period a simplicity characterised the productions. “Mandarin” designs from Chinese models prevailed. These old Worcester under-glaze blue pieces have a tone unlike any other English factory, and more nearly approach the Oriental quality of depth. Blue and white dishes with pierced borders, and open basket-work dishes were a feature. Transfer printing _over_ the glaze is one of the characteristics of the factory. In the second period of Worcester were produced the elaborate vases in the style of Dresden and of Sèvres, the finest examples of Worcester. The third period of over-elaboration in decoration marks the decline of Worcester. The porcelain is thin and of very beautiful quality, having an ivory-like texture. There is a greenish tint in the paste when subjected to a strong light. The varieties of bodies used at Worcester from time to time make any generalisation obviously impossible. It is only by handling specimens that the true feeling of Worcester may become instinct in a collector. SALE PRICES. WORCESTER. £ s. d. Dish, circular, the centre painted with butterflies, the border with exotic birds in panels, and butterflies in medallions in borders of dark blue and gold, 10 in. diameter. Christie, February 4, 1902 54 12 0 Cups and saucers, pair two-handled, with exotic birds and insects in medallions, in gilt foliage borders on dark blue scale ground. Christie, February 4, 1902 90 6 0