CHUBAN.--A vertical print, size about 11 × 8, sometimes called the "medium size" sheet. DIPTYCH.--A composition consisting of two sheets. GAUFFRAGE.--Printing by pressure alone, without the use of a pigment, producing an embossed effect on the paper. HASHIRA-YE.--A very tall narrow print, size about 28 × 5, used to hang on the wooden pillars of a Japanese house; a pillar-print. HASHIRAKAKE.--See _hashira-ye_. HOSO-YE.--A small vertical print, size about 12 × 6. KAKEMONO.--A painting mounted on a margin of brocade; hung by its top when in use, and rolled up when not in use. KAKEMONO-YE.--A very tall wide print, size about 28 × 10. KEY-BLOCK.--The engraved wooden plate from which the black outlines of the print were produced. KIRA-YE.--A print with mica background. KOBAN.--A vertical print slightly smaller than the _Chuban_ (q.v.). KURENAI-YE.--A hand-coloured print in which _beni_ is chiefly used. MON.--The heraldic insignia used by actors and others as coat-of-arms; generally worn on their sleeves. NAGAYE.--See _hashira-ye_. NISHIKI-YE.--Brocade picture--a term used at first to describe the brilliant colour-inventions of Harunobu, but now loosely applied to all polychrome prints. OBAN.--A large vertical print, about 15 × 10--the normal full-size upright sheet. OTSU-YE.--A rough broadsheet painting, of small size, on paper; the precursor of the print. PENTAPTYCH.--A composition consisting of five sheets. PILLAR-PRINT.--See _hashira-ye_. SUMI.--Black Chinese ink. SUMI-YE.--A print in black and white only. SURIMONO.--A print, generally of small size and on thick soft paper, intended as a festival greeting or memento of some social occasion. TAN.--A brick-red or orange colour, consisting of red oxide of lead. TAN-YE.--A print in which _tan_ is the only or chief colour used. Such prints, in which the _tan_ was applied by hand, were among the earliest productions. TRIPTYCH.--A composition consisting of three sheets. UCHIWA-YE.--A print in the shape of a fan. URUSHI.--Lacquer. URUSHI-YE.--A print in which lacquer is used to heighten the colour. The term is generally employed to describe only the early hand-coloured prints in which lacquer, colours, and metallic dust were applied to the printed black outline. YOKOYE.--A large horizontal print, about 10 × 15--the normal full-size landscape sheet. I PRELIMINARY SURVEY THE GENERAL NATURE OF JAPANESE PRINTS GROWTH OF INTEREST IN THEM THE TECHNIQUE OF THEIR PRODUCTION THEIR ÆSTHETIC CHARACTERISTICS Bring forth, my friend, these faded sheets Whose charm our laboured utterance flies. Perhaps our later search repeats The groping of those scholars' eyes