Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
In the early days when serfdom had not long ceased and the retainers of
the nobles had not won their full freedom or independence, signs and
symbols of their allegiance to some chief or overlord were plentiful.
The Crusaders brought back with them signs, amulets, and various
objects which they wore with more or less superstitious belief. The
pilgrims to the most noted shrines in this country followed suit, and
all these various purposes and mediæval customs have furnished the
curio-hunter with many delightful reminders of the "good old days"
when superstition and almost idolatry were rife. Old Father Thames has
preserved many of them for centuries, and twentieth-century collectors
are richer thereby.
In the Guildhall Museum in London there is a very complete and
representative collection of pilgrims' signs. Although many of them
are made of a soft metal, there are others of good copper and brass.
At one time they must have been very plentiful, for very prolific
have the finds been in the neighbourhood of London Bridge and in and
around Southwark. These signs or badges were secured and worn by the
pilgrims who set out to the chief shrines, notably that of St. Thomas
à Becket at Canterbury. Chaucer in his _Canterbury Tales_ has told
that there were many traders in pilgrim signs in Canterbury city, so
that all were enabled to possess themselves of such symbols, many of
which they threw upon the shrine, and others retained them as talismans
against danger on the return journey. The pilgrims wore a variety of
emblems--the more devout, it is said, preferred the cross; others
carried with them on their journey little metal figures of St. George,
St. Katherine, St. Christopher, or other saint with his or her symbol.
St. Agnes was represented by a lamb, St. John by an eagle, and St.
Dorothy by a basket of fruit. Perhaps the most favoured sign purchased
in Canterbury was an equestrian figure of St. Thomas à Becket. Some
of the emblems were worn as protectors against evil, and such signs
were almost invariably on horse trappings; indeed, such amulets have
been perpetuated almost up to the present day. There are several
circular discs in the museum referred to, said to date from the
twelfth century, upon these are embossed two horned animals; another
badge of a little later date, in copper, has upon it a shield of arms
surrounded by three mythical dragons; it was found in Ludgate Hill. Yet
another on which is a shield charged with seven stars, said to be of
fourteenth-century workmanship, was found some time ago on the site of
the old General Post Office in St Martin's-le-Grand.
Public-domain text, read in full here on John Shaqi.
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