Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
that in olden time, still perpetuated by its name, there was sanctuary
just outside the Abbey of Westminster, the right being retained even
after the dissolution of the monasteries in 1540. There were similar
places of refuge for criminals at the Minories, Whitefriars, and the
old Mint in Southwark. The Durham knocker, around which some interest
centres, was in the form of an animal's head, in which are now two
empty eye-sockets, behind which it is said lights were placed, although
it is probable that they may have been filled with crystal balls.
The brass lion knocker of Brazenose College, Oxford, has won some
notoriety, and has been much copied. The legends regarding its ancient
association with the College, and the migration of the students to
Stamford in 1334, and the subsequent return of the knocker to Oxford
after it had been in other hands for many years, vary, and are not
altogether borne out by proven facts. The brass-nosed knocker does not
appear to have given the name to the College, notwithstanding the very
generally accepted belief. Indeed, according to several authorities
the name originated in the words _bracinum_, malt, and _house_, a
brew-house having been incorporated in the older buildings. The old
knocker, however, is still regarded as historic.
Few collectors of old copper and brass can hope to possess such
historical relics, nor yet are they likely to secure any of the massive
knockers, some of which are to be seen in the Victoria and Albert
Museum at South Kensington. They can, however, readily obtain brass
knockers dating from the reign of Queen Anne, and especially the ornate
knockers of Georgian times, many of them bearing traces of the Adams'
style and of Chippendale influence. Some knockers are peculiar in that
the design is not always apparent. In Fig. 16 is shown a fine knocker
of the much favoured armorial style, and in Fig. 17 is given a drop
knocker in the form of a dolphin. Some of the knockers, repeated in
great numbers in certain districts, are essentially local, such as a
hook and worm pattern, which took its origin in a Sussex village. It
was the invention of a local smith, an admirer of Izaac Walton, who
it is said frequently passed his smithy door on his way to a fishing
stream. Technically described by a fisherman, this knocker is said to
be "a lobworm of buxom proportions dangling from a hook." There are
others, equally interesting examples, to be met with in out-of-the-way
places. One of the advantages of collecting these common objects in
brass and other metals is that they can still be made to serve a useful
purpose on room doors, although the rat-tat of the larger specimens is
sometimes startling.
"Shut, shut the door, good John! fatigued, I said;
Tie up the _knocker_; say I'm sick, I'm dead."
Pope.
Interior Metal-Work.
Public-domain text, read in full here on John Shaqi.
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