Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
Some old churches and cathedrals are noted more for their beautiful
chimes than for the size and weight of their larger bells. At Mechlin
there are forty-four bells in the carillon, and in Antwerp Cathedral
the chimes are played on sixty-five bells, the oldest in the set, named
"Horrida," being dated 1316, but the bell which is said to be the best
loved of all by the ringers is stamped "Carolas," having been given by
Charles V.
There are bells of lesser size which have gained popularity, some from
their former associations; others perhaps, more so because of their
present location or ownership. Sometimes bells have been removed
from old churches and after having changed hands several times have
found a resting-place in the possession of laymen; often in museums,
it is true, but not always so: as an instance there is the fine old
bell in the possession of the Grocers' Company, cast in 1463 for the
Church of All Hallows, Staining, where it hung for many years. The bell
illustrated in Fig. 52, now in the Victoria and Albert Museum, is of
more recent date, having been cast in Exeter in 1670 by John Pennington.
Bells have frequently been brought to this country as trophies of war.
At the Tower there are several fine examples of Eastern workmanship,
and there are others now in the United Service Museum at Whitehall.
The Uses of Bells.
The older bells have seen varied service; they have been hung in church
towers and in public places; they have sounded the note of alarm,
and given the signal for historic assemblies; they have rung the
death-knell of illustrious persons, and in rural England have summoned
many generations of worshippers to Divine Service.
The bells, the loud clanging of which can be heard afar, are, however,
the outcome of a gradual process of development. The evolution from the
handbell to the turret bell was doubtless slow.
The simple handbell in its early stages was only a slight advance
beyond the bells hung round the necks of the leaders of the flock,
which were made by the village smith. Such primitive, and not always
musical, bells were used from the earliest times to summon servants and
workers in the field and tenderers of the flock. The practice dates
from Biblical days, for it was an early Eastern custom for sheiks and
patriarchs from their tent doors to summon their followers, or give the
danger signal, by means of a bell.
Public-domain text, read in full here on John Shaqi.
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