Chats on Old Copper and BrassBurgess, Fred. W. (Frederick William)
History
Chats on Old Copper and Brass
Burgess, Fred. W. (Frederick William)
Brasses; Brasswork; Copper; Copperwork; Metal-work -- Collectors and collecting
Bible records tell of bells of gold suspended from the robes of
priests, and of their use in temple worship. From that time onward
they have been associated with religious ceremonials. In later
times the early Christians employed bells of copper and brass and
consecrated them to their use. Thus musical peals, rung collectively or
individually, have sounded for all kinds of sacred rites. The bell--a
mere handbell--was soon fixed over a doorway, or in some convenient
place where it could with greater ease be rung by a cord. Then came the
suggestion of larger bells, afterwards covered over, and finally hung
in steeple or tower, like the campanile (a tower separated from the
church) so often met with in Italy.
The church bell is said to have been introduced here by Paulinus, the
Bishop of Mona, in A.D. 400. The next record of importance is the
historical account of the Venerable Bede, who describes bells hung
in towers--that was in A.D. 670. Some two hundred years after Bede's
days a peal was rung for the first time in England, in the Abbey of
Crowland. The pioneers of bell-ringing upon bells tuned in harmony were
the ringers who produced such charming results with the bells of King's
College, Cambridge.
The bells of churches were rung for ecclesiastical and for national
and parochial purposes. There was the vesper bell for evensong, and
there was the curfew bell which rang in obedience to the "lights out"
enactments of Norman days (see _Couvre de feu_, p. 113).
Of the minor uses of bells there are many. In Tudor days small bells
were familiar objects in hunting. They formed part of the equipment of
the hawk or falcon. Of these we read in Shakespeare's works--of the
"'larum bell and of sweet bells jangled out of tune." In _Othello_
there is a record of the "snorting citizen with his bell."
[Illustration: FIG. 52.--BELL CAST BY JOHN PENNINGTON AT EXETER IN
1670.]
[Illustration: FIG. 53.--GROUP OF BELL-METAL MORTARS.
(_In the British Museum._)]
Bellmen were the heralds of news in country towns, and the importance
of their office was made clear by the "Oyez! Oyez!" by which they
prefixed their tale. The ancient watchman clanged his bell and the
light in the lantern slung at his waist flickered as he sounded the
call. This is mentioned in an old ballad, the first verse of which
reads:
"Time, master, calls your bellman to his task,
To see your doors and windows are all fast."
Numerous examples of curious bells are to be seen in our museums.
In the Welsh Museum at Cardiff there is an old Celtic bell from
Llangwynodl, shown side by side with an electrotype of the famous bell
of St. Patrick. There is rather a sad note in the story of the fate of
the old division bell of the Irish House of Commons, which, when the
Parliament was abolished, was sold for use in a Dublin theatre as a
call bell, eventually to be resold as old metal. That curio would at
this juncture have been regarded as an historical relic of some value.
Public-domain text, read in full here on John Shaqi.
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