It was during this reign that we first learn of a lace being made in England, as Queen Anne of Denmark on her journey south purchased lace at _Winchester_ and _Basing_, but history mentions not what kind of lace it was. Apparently only a simple kind of edging was used, made on a pillow. The enormous ruffs went out of fashion with the death of James I. Charles I., in all his portraits, wears the falling collar edged with Vandyke lace. It was during this reign that Venetian lace reached its apotheosis in England. The dress of the day has never been surpassed, though it became much more elaborate and ostentatious in the time of Charles II. and William and Mary. Falling collars were specially adapted to the display of the handsome laces of Venice. The cuffs of the sleeves were likewise trimmed with the same; scarves were worn across the breast, trimmed with the narrower Reticella. [Illustration: SEVENTEENTH CENTURY FALLING COLLAR TRIMMED WITH FINE RETICELLA. (_S.K.M. Collection._)] During the Commonwealth the laces of Venice suffered a temporary eclipse, and the plainer laces of Flanders were freely used. Cromwell himself, it is said, did not disdain the use of it. His effigy at Westminster was dressed in a fine Holland lace-trimmed shirt, with bands and cuffs of the same. This effigy, by the way, was destroyed at the Restoration. Charles II., who during his exile in France had become imbued with the extravagant taste of the French Court, gave vast orders for "Points of Venice and Flanders," on the plea of providing English lace-workers with better patterns and ideas. The falling collar certainly went out of fashion, but lace was liberally used on other parts of the dress. Lace frills of costly Point edged the knee-breeches, lace cravats were worn and deep falling cuffs. Charles II., in the last year of his reign, spent L20 for a new cravat for his brother's birthday. During James II.'s reign extravagance in lace purchases are still mentioned, but it surely reached its culmination in the joint reign of William and Mary, when enormous sums were spent by both King and Queen. In one year Queen Mary's lace bill amounted to L1,918. New methods of using lace were fashioned. A huge head-dress called the "Fontange," with upright standing ends of Venetian Point, double hanging ruffles falling from elbow sleeves, lace-trimmed aprons, lace tuckers, characterised the feminine dress of the day, while the "Steinkirk" cravat and falling cuffs of William III.'s day ran up accounts not much less than that of his Queen. In 1690 his bill was L1,603, and in 1695 it amounted to L2,459! The effigies of William and Mary in the Abbey, wear the very finest Venetian Point laces. None of the other figures wear such costly lace, nor in such profusion. [Illustration: COLLAR IN GROS POINT DE VENISE. Louis XIV. period. (_S.K.M. Collection._)] XI ENGLISH LACES XI ENGLISH LACES