Most of the old Devonshire laces bear distinct likeness to the fine Flemish lace, only the clumsiness of the design or the coarse workmanship differentiating them. It has, however, one special feature which gave it the name "Trolly lace," as, unlike the perfectly flat lace of Flanders, it has a coarse thread or "trolly" outlining its patterns, and being made of English thread, it was coarse and not very durable. _Honiton_ has always easily ranked first amongst our British laces, although by many not considered equal to fine Bucks. Like the Midland lace, it has been always made with Flanders thread, and therefore has maintained its popularity because of its _wear_ and its _colour_. The early Honiton workers copied "Brussels" lace, but because of their inability to produce an artistic design it has never been anything but a _poor_ copy. Even when the Brussels influence was most direct the flowers and sprays were placed inartistically, while the scroll copies of the early Flemish schools can only be termed the imitative handiwork of a child. The most prized specimens of old Honiton are those with hand-made ground, made of Flanders flax. Very little of this real ground Honiton lace is left. Queen Victoria did much to make Honiton lace _the_ lace of the land; but although a regular trade has been established, and much good work accomplished, Honiton of the past will never be regarded on the same plane as the laces of Venice, France, and Brussels. Even in its best variety it lacks the exquisite filmy touch of Brussels, the dainty grace of Alencon, and the magnificence of Point de France and Venetian Point. The Honiton laces made since the introduction of machine-made net is especially poor. Flower sprigs and sprays are made separately on the pillow, and afterwards applied to the machine-made ground. These are, as a rule, flowers and foliage treated naturalistically, and are heavy and close in design. These are often very sparingly applied over a wide expanse of net in order to make as much lace with as little trouble as possible. This is very different to the work of the old Honiton lace-worker, who made every inch of it herself--first the sprays and scrolls, then worked the ground round it, and received, it is said, from the middleman (who purchased it for the town market) as many shillings as would cover the lace offered for sale. We are glad to say, however, that very praiseworthy efforts are being made to introduce better methods and more artistic designs in the many lace schools which are being formed in various parts of Devon. Mrs. Fowler, of Honiton, one of the oldest lace-makers in this centre, making exquisite lace, the technique leaving nothing to be desired, and also showing praiseworthy effort in shaking off the trammels of the traditional designs. [Illustration: MODERN HONITON, MADE BY MRS. FOWLER.] XII SCOTCH AND IRISH LACES XII SCOTCH AND IRISH LACES