Hallmarks -- England; Plate -- Collectors and collecting; Sheffield plate
In regard to the particular design of the head of Shakespeare. There
is a reason for its existence. It comes straight from the days of
the great Shakesperian revival by David Garrick, where in 1741 he
acted Richard III for the first time. Quin and Cibber were outshone
by this new actor, who drew the fashionable world of St. James's to
his little house in Goodman's Fields. He became an idol. In 1742 with
Mrs. Woffington he acted in Dublin for a season and created a
great sensation. In 1747 he was joint lessee of Drury Lane Theatre.
A Chelsea figure represents him as Richard III and, in complement to
the new worship of Shakespeare who had been forgotten for a hundred
years. Addison had omitted him from his "Account of the greatest
English poets," and Steele did not include him in his essay "A Dream
of Parnassus" in the _Spectator_. Sheffield, quick to seize an idea of
marketable value, stamped the little medallion of Shakespeare on her
knife handle with an eye to fashionable demands of the day.
[Illustration: OLD SHEFFIELD KNIVES.
With steel blades and plated handles with medallion of Shakespeare.]
[Illustration:
OLD SHEFFIELD PLATED BUTTONS. OLD SHEFFIELD PLATED WINE LABEL.
(_In the collection of B. B. Harrison, Esq._)]
Buttons were also a strong feature in early days, and continued as a
leading feature to the end of the Sheffield plated period. Firms were
established in London who carried on this branch till quite a late
date. It is stated that a plated button was the first article made
by Boulsover. In Ireland John Roche, of Usher's Quay, Dublin, also
produced buttons in this style. The designs were stamped according to
order. The illustration (p. 51) shows the type with copper shank firmly
soldered on to the back. Possibly Army buttons of the same date were
similarly made. Collectors have a field here for search and research.
Wine labels, or as they were termed, "bottle tickets," offer, if not
great variety of style of decoration, certain curious indications as
to the wines and liqueurs they were intended to label. We illustrate a
label used for "Madeira." But some of the others were for wines either
now known under more familiar names or forgotten altogether, such as:
"Shrub," "Bucellas," "Xerez," and others.
Public-domain text, read in full here on John Shaqi.
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