The adjacent illustration (page 129) shows other contemporary metal
work. Here is a brass candlestick of the middle seventeenth century.
The baluster ornament is common to the silver cup and to the brass
candlestick. No two of these candlesticks are alike, the baluster
ornament varying according to the individual mood of the maker. It is
the same factor which predominates in Jacobean furniture with turned
rails with varying ornaments. The chain is complete. The silversmith,
the brass-worker, the woodcarver, and the glassblower each found,
according to his technique, this style of ornament pleasing to his
mind. Accordingly the collector who comes after may see for himself
the influence each has had on the other. The student may see in the
established form of the stem of the modern wine glass something
tempting him to linger over the process of evolution.
The Punch-bowl
Artists and writers have made the punch-bowl of the eighteenth century
familiar. The china collector well knows that it was not always
of silver. The amateur collector is always to the fore with his
punch-ladle with silver bowl and ebony handle, and the said ladle must
always have a coin of the period soldered at the bottom of the bowl
to denote its genuineness. Alas! so few of these are authentic. The
coin, which among other things should be the stamp of veracity, does
not agree with the hall-marks--and one lie in a piece damns it in its
entirety. It is a sad story, but punch-ladles seem to be the first step
in obliquity of the faker. They are easy to make, and apparently easy
to palm off on the young collector. There are hundreds of people who
have a punch-ladle with a history--not the real history--but they have
not a punch-bowl. It is like having a bridle without a horse.
[Illustration: STUART SILVER WINE CUPS.
Taller, 1631 (Charles I). Maker, William Shute. (Marks illustrated p.
361.)
Smaller, 1665 (Charles II). (Marks illustrated beneath.)
(_In possession of Messrs. Garrard._)]
[Illustration: BRASS CANDLESTICK.
English Middle Seventeenth Century.
Height 7 in.
(_In collection of author._)]
The “Monteith” form of punch-bowl, with removable rim of scalloped
form, made thus for the insertion of wine glasses, was known as early
as 1701. Nobody can say why the term “Monteith” was applied to this,
but presumably it was taken from the inventor or first user, much in
the same manner as our current words, sandwich, orrery, cardigan,
wellington, identify objects first used by, or contemporary with, the
persons whose names they bear.
Public-domain text, read in full here on John Shaqi.
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