The circular Stuart salt cellar comes straight from the days of Charles I. It has the date letter for 1638. See Marks illustrated page 365. This salt stood on the Mercers’ Company table in 1642--eventful year, when Charles was misguided enough to go in person to the House of Commons with his guards to arrest the five members. This was the signal for the Civil War. The salt cellar we now see was hurriedly put in the vaults of the Mercers’ Company. The trained-bands of London were up. The city declared for the Parliament, and Charles raised his standard at Nottingham. John Dethick, the donor, may have fought in the civic cause. Here is the salt he gave to his Company in those stirring days, an illustration of which we are enabled to produce by the courtesy of the Mercers’ Company. It has three handles with scroll ends. It is an important piece. It is silver-gilt, and engraved with the arms of the Mercers’ Company and the arms and crest of John Dethick. The octagonal salt illustrated (p. 155) shows the style of Charles II. It has four handles with scroll ends. These handles were for supporting a napkin which was placed around the salt. It is of the year 1679, and the marks are illustrated on page 357. It is inscribed, “_Ex dono henrici Sumner M^{r}._” This is known as the Sumner Salt, and Henry Sumner, the donor, was Master of the Mercers’ Company at that date. Its diameter is 9¹/₂ inches and its greatest height is 8³/₈ inches. This is the year of the _Habeas Corpus Act_. This Act defines the liberties of the subject. All prisoners except those charged with felony or treason can demand that they be brought before a judge to test the validity of their detention. All persons charged with felony or treason must be tried at the next sessions or else admitted to bail, or, failing this, be discharged. No person could be recommitted for the same offence and no person imprisoned beyond the sea. Heavy penalties were imposed on those who violated this Act. [Illustration: SPECIMENS OF EARTHENWARE SALT CELLARS. LAMBETH DELFT SALT CELLAR. Late seventeenth century. Height 4¹/₂ in. ROUEN FAIENCE SALT CELLAR. Early eighteenth century. Height 3 in. (_In collection of author._)] Contemporary with the silversmith’s work it is interesting to notice in passing what the potter was doing. We illustrate (p. 161) a Lambeth delft salt cellar of the late seventeenth century. Its height is only 4¹/₂ inches. It simulates the silver style. The guards or handles are more shell-like in form than those of the silversmith. The technique of the potter with his twisting of the plastic clay is responsible of this. But the furniture maker of the period has something to add, too, in regard to this form of ornament. In his technique it is termed the “Spanish foot.” It appears in feet and in the scrolls of handles for chairs.