The modelling, the design, and the colouring of such early examples as these of a new factory are naturally dependent on prototypes. It was a great thing to produce porcelain at all, consequently the style is found to be derivative. A fine Sèvres jar with cover, in date 1761, at the Sèvres Museum, has a family likeness to the Fournier cups with covers in Rosenborg Castle, Copenhagen. Although these latter have the same type of decoration with a white panel on a dark ground, it will be seen that the Sèvres example exhibits the sure mastery of technique of an older factory. The painting is richer and of more detail, with birds of tropical plumage. The Fournier examples, with handles, were evidently designed for use. There are five of these covered custard cups at Rosenborg Castle, three having green and two having blue grounds; we illustrate an example. At the _Kunstindustri Museum_ at Copenhagen there are two custard cups and covers of similar form--one with red decoration; and the other with red and green, and floral decoration painted in colours. These are both marked F5 in blue. It is interesting to note, in the archives of the Sèvres factory, that Louis XV sent, in 1758, to the King of Denmark a service of green, decorated with figures, flowers, and birds, which cost 30,000 livres. Here, at hand, was a fine Sèvres service as model for Fournier, and the resemblance of soft-paste Copenhagen porcelain to Sèvres is not difficult to understand. In the illustration of the _Oval Dish and Cover_ standing beside the cup with handle, the ware is coarser and in paste and colouring is not unlike some of the earlier specimens of Bow china. These and the other illustration of _Sucrier with Cover and Dish_ are from the famous collection at Rosenborg Castle. The sucrier and cover are decorated with scale pattern; portions of the outer rim are moulded in relief and the floral decoration is in natural colours. A _Teapot_ from a tea service at the National Museum at Stockholm exhibits a similar style in this experimental period. The colours of the teapot, cream jug, and cups and saucers are emerald green borders with gilding. The flowers are painted in natural colours. They bear the Fournier mark F5 in gold. The service was a present to King Charles XV of Sweden from the Countess Dannemand. In the collection of Count Moltke of Bregentved are four fine _Vases_ of this period. They exhibit the rococo style then prevalent and are remarkable works emanating from the little royal factory of Copenhagen during the first years of its existence. On one of these vases is a panel decorated with a group of Cupids supporting a shield upon which is inscribed the mark used by Fournier in the period of Frederik V.