“Some attribute ... the discovery to the sounds made by a large stone
against the frame of an oil-press, and others to meat when roasting,
but the sages of Hind [India] are of opinion that it originated in
the following accident. As a learned Brahmin was travelling to the
court of an illustrious raja, he rested about the middle of the day
under the shade of a mulberry-tree, on the top of which he beheld a
mischievous monkey climbing from bough to bough, till by a sudden
slip he fell upon a sharp-pointed shoot which instantly ripped up his
belly, and left his entrails suspended on the tree, while the unlucky
animal fell breathless upon the dust of death. Some time after this,
as the Brahmin was returning, he accidentally sat down in the same
place and, recollecting the circumstance, looked up and saw that the
entrails were dried and yielded a harmonious sound every time the wind
gently impelled them against the branches. Charmed at the singularity
of the adventure, he took them down and, after binding them to the two
ends of his walking-stick, touched them with a small twig by which
he discovered that the sound was much improved. When he got home he
fastened the staff to another piece of wood, which was hollow, and
by the addition of a bow which was strung with part of his own beard
he converted it into a complete instrument.[5] In succeeding ages
the science received considerable improvements. After the addition
of a bridge purer notes were extracted; and the different students,
pursuing the bent of their inclinations, constructed instruments of
various forms according to their individual fancies; and to this
whimsical accident we are indebted for the tuneful _ney_, and the
heart-exhilarating _rabáb_, and in short all the other instruments of
wind and string.”
Public-domain text, read in full here on John Shaqi.
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