The last verse of this poem is the most remarkable of the three. Full of just contempt for his enemies’ aspersions, and of hearty trust in the power of truth to set things right, he rises suddenly into a passion of aspiration. Trying to be content with adversity, he is angry with himself for feeling it so deeply. To wrestle in this world is but courting an overthrow. But this is not our Home, this is but a desert leading to a higher state. Forth, pilgrim! gird up thy loins with fresh vigour to journey on. Forth, pilgrim! _forth, beast, out of the stall_ of narrow hopes and interests! look higher, and thank thy God for all. To cast by all the soul’s lets and hindrances--to be led by the higher self--that is the pilgrim’s longing, and that is the sublimest hope of the human heart. NOTES ON THE PICTURES. I.--FRONTISPIECE. The costumes of the Knight, Squire, Prioress and Nun, Monk, Friar, Clerk (represented by Chaucer himself), Franklin, the Wife of Bath, the Summoner, and his friend the smart Pardoner, Mine Host and the boy, have been respectively studied from MSS. of the period. The attire of the Knight is open to criticism, for the amount of armour he wears is certainly more than he need wear on so peaceful an errand; but a portion of his well-used plate may be permitted him if only to distinguish the man of war from the numerous men of peace in the train. The chain-mail, worn under the plate, would, I think, most probably have been retained by the Knight during his pilgrimage. The numerous miniatures of mailed knights journeying for no sinister purpose, appear to me to prove that it was very constantly worn. Unlike the mail which preceded it, the Asiatic kind which came into use in the twelfth century was comparatively light, being formed of slight rings interlaced, and not riveted upon leather. The hood of mail, which hangs on his shoulders, would have been no inconvenience at all. It joined the habergeon of mail, over which was his gipon, ‘stained,’ probably, by the rubbing of his mailed arms. If, however, it be objected that the gipon was often an under garment (_vide_ Meyrick, vol. ii. pp. 20 and 21), we may suppose him to have left a heavy hauberk of plate behind him in London ‘till called for.’ Prioresses and nuns are often depicted in violet, in the contemporary MSS.; I therefore preferred that colour as more agreeable than black. Gloves such as the Nun’s, were occasionally worn in the fourteenth century; the present example is taken from the effigy of William of Colchester, Abbot of Westminster, d. 1420. Gloves of fur, for winter wear, were common in the reign of Henry III. The harness of the horses, bells and saddles, the Nun’s chest, the Summoner’s cake (probably ornamental gingerbread), and other details, have also been carefully studied from MSS. and tapestries of the time.