Chaucer for Children: A Golden KeyChaucer, Geoffrey
General
Chaucer for Children: A Golden Key
Chaucer, Geoffrey
Chaucer, Geoffrey, -1400 -- Adaptations
[89] Harness was a technical term for the complete armour or equipment, as
opposed to portions, which were equally _armour_.
[90] Even these similes separate the two characters: the lion may be mad
with rage; the tiger, which is a cat, is crafty as well as fierce.
[91] An exaggeration simply for picturesque effect, such as many have
indulged in since Chaucer.
[92] The helmet entirely concealing the face.
[93] _Ho_ was the word by which the heralds or the king commanded the
cessation of any action.
[94] What were called the ‘lists’ were the places built and enclosed for
combats on horseback, and tournaments. These combats got sometimes very
serious, and many knights and horses were wounded, or even killed.
[95] A form of torture to extort confession. Theseus’ grim humour at this
juncture implies how far lightlier human life was held then than now. But
he was naturally in a great rage when he knew who the knights were.
Palamon’s insolent address in the _singular_ personal pronoun was not
likely to mollify him, coming as it did from a captive, though an equal by
birth.
[96] How idealized, and how idolized, the passion of love had crown to be
with the new elevation of woman’s condition in these times is well known.
Love literally covered a multitude of sins: the malefactor was pardoned
whose offences were caused by love; the rough was made smooth for the feet
of love to tread upon. There was a reason for this. It is but too true
that the morals of the people will not bear the light of modern times; but
it would be unfair to judge them by that light. Those were rough days,
when laws were often feeble, narrow, or ill-enforced. The want of legal
organization placed a great refining and ennobling power in the hands of
woman. Many a knight, who was coarse or cowardly, was pricked to courteous
ways and deeds of courage by his love of some fair woman, when without it
he would have sunk lower and lower in vice and degradation. The arts were
ofttimes cultivated to win a woman’s ear or eye; knowledge itself was
sought for her sake, for knowledge is power. Of course the love of
courtesy, valour, and learning were deeply rooted in the age, or the
woman’s sympathy could not have existed. But her encouragement of all that
was æsthetic, her influence over men, and therefore the impetus she gave
to the higher life, must never be underrated, however we may reprove the
errors of that day. The institution of actual ‘Courts of Love’--tribunals
for the judgment of love-matters, bearing a definite recognition, and
which seem so strange, almost repulsive to us, presided over as they were
by ladies only--was the result of the worship of physical beauty and the
passion which it inspired, and the proof, however grotesque, of the real
value seen to lie in it. This will be better understood when we observe
that even children were encouraged to cultivate somewhat of this ideal
love, and the childish education of boys and girls consisted to a very
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