Chaucer for Children: A Golden KeyChaucer, Geoffrey
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Chaucer for Children: A Golden Key
Chaucer, Geoffrey
Chaucer, Geoffrey, -1400 -- Adaptations
After supper, he made us all laugh a good deal with his witty jests; and
when we had all paid our reckonings, he addressed us all:--
And sayde thus: Lo, lordynges, trewely truly
Ye ben to me right welcome hertily:
For by my trouthe, if that I schal not lye, shall, lie
I ne saugh this yeer so mery a companye saw
At oones in this herbergh, as is now. inn (auberge)
Fayn wolde I do yow merthe, wiste I how.
And of a merthe I am right now bythought,
To doon you eese, and it schal coste nought. do, ease
And said to us: “My masters, certainly
Ye be to me right welcome, heartily:
For by my truth, and flattering none, say I,
I have not seen so large a company
At once inside my inn this year, as now!
I’d gladly make you mirth if I knew how.
And of a pleasant game I’m just bethought
To cheer the journey--it shall cost you nought!
“Whoever wants to know how, hold up your hands.” We all held up our hands,
and begged him to say on.
“Well, my masters,” said he, “I say that each of you shall tell the rest
four stories--two on the way to Canterbury, and two on the way home. For
you know it is small fun riding along as dumb as a stone. And whichever in
the party tells the best story, shall have a supper at this inn at the
cost of the rest when you come back. To amuse you better, I will myself
gladly join your party, and ride to Canterbury at my own expense, and be
at once guide and judge; and whoever gainsays my judgment shall pay for
all we spend by the way. Now, tell me if you all agree, and I will get me
ready in time to start.”
We were all well pleased; and the next morning, at daybreak, our clever
host called us all together, and we rode off to a place called the
Watering of St. Thomas.[75] There we halted, and drew lots who should tell
the story first, knight, clerk, lady prioress, and everybody.
The lot fell to the knight, which every one was glad of; and as soon as we
set forward, he began at once.
Notes by the Way.
One of the things most deserving of notice in reading Chaucer is his
singularly strong grasp of character. In the ‘Canterbury Tales’ this is
self-evident, and the succinct catalogue of the thirty-one pilgrims, which
in feebler hands would have been dry enough, is a masterpiece of
good-humoured satire, moral teaching, and, above all, photographic
portraits from life. You will notice that Chaucer meant to make his
‘Canterbury Tales’ much longer than he lived to do. His innkeeper proposes
that each of the pilgrims shall tell four stories. Only twenty-four of
these exist.
You will never find any character drawn by Chaucer acting, speaking, or
looking inconsistently. He has always well hold of his man, and he turns
him inside out relentlessly. He very seldom analyzes thought or motives,
but he shows you what _is_ so clearly, that you know what _must_ be
without his telling you.
Public-domain text, read in full here on John Shaqi.
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