Chaucer's Works, Volume 1 — Romaunt of the Rose; Minor Poems — John Shaqi
Chaucer's Works, Volume 1 — Romaunt of the Rose; Minor PoemsChaucer, Geoffrey
General
Chaucer's Works, Volume 1 — Romaunt of the Rose; Minor Poems
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
§ 44. The preceding sections include all the most material facts that have
been ascertained with respect to Geoffrey Chaucer, and it is fortunate
that, owing to his connexion with public business, they are so numerous and
so authentic. At the same time, it will doubtless be considered that such
dry details, however useful, tell us very little about the man himself;
though they clearly shew the versatility of his talents, and exhibit him as
a page, a soldier, a valet and esquire of the royal household, an envoy, a
comptroller of customs, a clerk of works, and a member of Parliament. In
the truest sense, his own works best exhibit his thoughts and character;
though we must not always accept all his expressions as if they were all
his own. We have to deal with a writer in whom the dramatic faculty was
highly developed, and I prefer to leave the reader to draw his own
inferences, even from those passages which are most relied upon to support
the theory that his domestic life may have been unhappy, and others of the
like kind. We can hardly doubt, for example, that he refers to his wife as
'oon that I coude nevene,' i. e. one that I could name, in the Hous of
Fame, 562; and he plainly says that the eagle spoke something to him in a
kindly tone, such as he never heard from his wife. But when we notice that
the something said was the word 'awake,' in order that he should 'the bet
abrayde,' i. e. the sooner recover from his dazed state, it is possible
that a sentence which at first seems decidedly spiteful is no more than a
mild and gentle jest.
§ 45. PERSONAL ALLUSIONS IN CHAUCER'S WORKS. Instead of drawing my own
inferences, which may easily be wrong, from various passages in Chaucer's
Works, I prefer the humbler task of giving the more important references,
from which the reader may perform the task for himself, to his greater
satisfaction. I will only say that when a poet complains of hopeless love,
or expresses his despair, or tells us (on the other hand) that he has no
idea as to what love means, we are surely free to believe, in each case,
just as little or as much as we please. It is a very sandy foundation on
which to build up a serious autobiographical structure.
The only remark which I feel justified in making is, that I believe his
wife's death to have been a serious loss to him in one respect at least.
Most of his early works are reasonably free from coarseness; whereas such
Tales as those of the Miller, the Reeve, the Shipman, the Merchant, and the
Prologue to the Wife's Tale, can hardly be defended. All these may
confidently be dated after the year 1387.
Public-domain text, read in full here on John Shaqi.
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