Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales — John Shaqi
Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
General
Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
1366 (at latest). The Romaunt of the Rose.
1369. The Book of the Duchesse.
1372. (end of the period).
SECOND PERIOD.
1373. The Lyf of Seint Cecile.
The Assembly of Foules.
Palamon and Arcite.
Translation of Boethius.
Troilus and Creseide.
1384. The House of Fame.
THIRD PERIOD.
1385. Legend of Good Women.
Canterbury Tales.
1391. Treatise on the Astrolabe.
It is unnecessary for our present purpose to insert the conjectured dates
of the Minor Poems not here mentioned.
According to Ten Brink, the poems of the First Period were composed before
Chaucer set out on his Italian travels, i.e. before December, 1372, and
contain no allusions to writings by Italian authors. In them, the influence
of French authors is very strongly marked.
The poems of the Second Period (he tells us) were composed after that date.
The Life of Seint Cecile already marks the author's acquaintance with
Dante's Divina Commedia; lines 36-51 are, in fact, a free translation from
the Paradiso, canto xxxiii. ll. 1-21. See my note to this passage, and the
remarks on the 'Second Nun's Tale' in vol. v. The Parlement of Foules
contains references to Dante and a long passage translated from Boccaccio's
Teseide; see my notes to that poem in vol. i. The original Palamon and
Arcite was also taken from the Teseide; for even the revised version of it
(now known as the Knightes Tale, and containing, doubtless, much more of
Chaucer's own work) is founded upon that poem, and occasionally presents
verbal imitations of it. Troilus is similarly dependent upon Boccaccio's
Filostrato. The close connexion between Troilus and the translation of
Boethius is seen from several considerations, of which it may suffice here
to mention two. The former is the association of these two works in
Chaucer's lines to Adam--
'Adam scriveyn, if ever it thee befalle
_Boece_ or _Troilus_ to wryten newe.'
Minor Poems; see vol. i. p. 379.
And the latter is, the fact that Chaucer inserts in Troilus (book iv.
stanzas 140-154) a long passage on predestination and free-will, taken from
Boethius, book v. proses 2, 3; which he would appear to have still fresh in
his mind. It is probable that his Boethius preceded Troilus almost
immediately; indeed, it is conceivable that, for a short season, both may
have been in hand at the same time.
Public-domain text, read in full here on John Shaqi.
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