Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
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Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
'With-in and oute depeinted wonderly
With many a thousand daisy[es] rede as rose
And white also, this sawe I verely.
But what tho deis[y]es might do signifye
Can I not tel, saufe that the quenes floure,
Alceste, it was, that kept ther her soioure,
Which vnder Uenus lady was and quene,
And Admete kyng and souerain of that place,
To whom obeied _the ladies good ninetene_,
With many a thousand other bright of face[24].'
The mention of 'the ladies good ninetene' at once shews us whence this
mention of Alcestis was borrowed.
In a modern book entitled Flora Historica, by Henry Phillips, 2nd ed. i.
42, we are gravely told that 'fabulous history informs us that this plant
[the daisy] is called _Bellis_ because it owes its origin to Belides, a
granddaughter of Danaus, and one of the nymphs called Dryads, that presided
over the meadows and pastures in ancient times. Belides is said to have
encouraged the suit of Ephigeus, but whilst dancing on the green with this
rural deity she attracted the admiration of Vertumnus, who, just as he was
about to seize her in his embrace, saw her transformed into the humble
plant that now bears her name.' It is clear that the concocter of this
stupid story was not aware that _Belides_ is a _plural_ substantive, being
the collective name of the fifty daughters of Danaus, who are here rolled
into one in order to be transformed into a single daisy; and all because
the words _bellis_ and _Belides_ happen to begin with the same three
letters! It may also be noticed that 'in ancient times' the business of the
Dryads was to preside over trees rather than 'over meadows and pastures.'
Who the 'rural deity' was who is here named 'Ephigeus' I neither know nor
care. But it is curious to observe the degeneracy of the story for which
Chaucer was (in my belief) originally responsible[25]. See Notes and
Queries, 7th S. vi. 186, 309.
Of course it is easy to see that this invention on the part of Chaucer is
imitated from Ovid's Metamorphoses, where Clytie becomes a sun-flower,
Daphne a laurel, and Narcissus, Crocus, and Hyacinthus become,
respectively, a narcissus, a crocus, and a hyacinth. At the same time,
Chaucer's attention may have been directed to the daisy in particular, as
Tyrwhitt long ago pointed out, by a perusal of such poems as Le Dit de la
fleur de lis et de la Marguerite, by Guillaume de Machault (printed in
Tarbe's edition, 1849, p. 123), and Le Dittié de la flour de la Margherite,
by Froissart (printed in Bartsch's Chrestomathie de l'ancien Français,
1875, p. 422); see Introduction to Chaucer's Minor Poems, in vol. i. p. 36.
In particular, we may well compare lines 42, 48, 49, 60-63 of our B-text
with Machault's Dit de la Marguerite (ed. Tarbé, p. 123):--
'J'aim une fleur, qui s'uevre et qui s'encline
Vers le soleil, de jour quant il chemine;
Et quant il est couchiez soubz sa courtine
Par nuit obscure,
Elle se clost, ainsois que li jours fine.'
Public-domain text, read in full here on John Shaqi.
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