Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
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Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
1266. Cf. Chaucer's Prologue, 417-420. There is a parallel passage in
Dante, Inf. xx. 116-123, where the word _imago_ occurs in the sense of
'waxen image.' This of course refers to the practice of sticking needles
into a waxen image, with the supposed effect of injuring the person
represented. See Ovid, Heroid. vi. 91, and Ben Jonson's Masque of Queens
(_3rd Charm_). But this is only a particular case of a much more general
principle. Images of men or animals (or even of the things representing the
zodiacal signs) could be made of various substances, according to the
effect intended; and by proper treatment were supposed to cause good or
evil to the patient, as required. Much could be done, it was supposed, by
choosing the right time for making them, or for subjecting them to
celestial influences. To know the right time, it was necessary to observe
the _ascendent_ (see note to l. 1268). See much jargon on this subject in
Cornelius Agrippa, De Occulta Philosophia, lib. ii. capp. 35-47.
1268. The _ascendent_ is that point of the zodiacal circle which is seen to
be just ascending above the horizon at a given moment. Chaucer defines it
in his Treatise on the Astrolabe, and adds that astrologers, in calculating
horoscopes, were in the habit of giving it a wider meaning; they further
reckoned in 5 degrees of the zodiac above the horizon, and 25 degrees below
the ascending point, so as to make the whole _ascendent_ occupy 30 degrees,
which was the length of a 'sign.' In calculating nativities, great
importance was attached to this ascendent, the astrological concomitants of
which determined the horoscope. The phrase to be 'in the ascendant' is
still in use. Thus _in certeyn ascendentes_ is equivalent to 'in certain
positions of the heavens, at a given time,' such as the time of one's
birth, or the time for making an _image_ (see last note). See p. 191
(above).
1271. _Medea_, the famous wife of Jason, who restored her father Æson to
youth by her magical art; Ovid, Met. vii. 162. Gower tells the whole story,
C. A. bk. v. ed. Pauli, ii. 259.
1272. _Circes_, Circe, the enchantress; Homer's Odyssey, bk. x; Ovid, Met.
xiv. Ovid frequently has the form _Circes_, in the gen. case; Met. xiv. 10,
69, 71, 247, 294. Cf. Chaucer's Boethius, b. iv. met. 3. 24.
_Calipsa_, Calypso, the nymph who detained Ulysses in an island; Odyssey,
bk. i; Ovid, ex Ponto, iv. 10. 13.
1273. _Hermes_ is mentioned in the Can. Yeom. Tale, C. T., Group G, 1434,
where the reference is to Hermes Trismegistus, fabled to have been the
founder of alchemy, though none of the works ascribed to him are really
his. The name _Balenus_ occurs, in company with the names of _Medea_ and
_Circe_, in the following passage of the Rom. de la Rose, l. 14599:--
Public-domain text, read in full here on John Shaqi.
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