Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury TalesChaucer, Geoffrey
General
Chaucer's Works, Volume 3 — The House of Fame; The Legend of Good Women; The Treatise on the Astrolabe; The Sources of the Canterbury Tales
Chaucer, Geoffrey
English poetry -- Middle English, 1100-1500
1059. _Meynee_, attendants, followers, lit. household; O.F. _meisnee_,
_mesnee_, _meinee_. Very common in Chaucer. The derived adj. _menial_ is
still in use. See l. 1089.
1061-5. From Æn. i. 613, 614. Ll. 1066-1074 are from the same, 588-591.
1075. 'Non ignara mali, miseris succurrere disco'; id. 630.
1076. The first syllable of _Lyked_ forms a foot by itself. _God do bote_,
may God give (us) help! A parenthetical explanation. All former editions
(except my own) omit the necessary comma after _as_.
1077-85. Chaucer here gives a general outline of the state of the case,
without following Vergil's words.
1086-90. This answers to Æn. i. 615-630.
1091-1102. From Æn. i 631-642.
1099. _His lyve_, in his life, during his life.
1103-27. This passage is, practically, original. Chaucer here tells the
story in his own language, and gives it a wholly medieval cast.
1104. The M.E. _swolow_ usually means 'a whirlpool' or 'gulf,' and such is
Tyrwhitt's explanation. See the Catholicon Anglicum, p. 373, note 1, for
examples. Thus, in Wyclif's Works, ed. Matthew, p. 97, we find--'_Swolwis_
of the see and _helle_, that resceyuen al that thei may and [gh]elden not
a[gh]en.' Very rarely, it is used of an open mouth; thus in Allit. Poems,
ed. Morris, iii. 250, it is said that the whale 'opened his _swol[gh]_' to
engulf Jonah. Hence, probably, arose the suggestion in Bell's note, that
the reference is to the open mouth of hell, as represented in medieval
drawings. Nevertheless, I believe Tyrwhitt is right; though either sense
will serve. It is the mod. E. _swallow_, used as a sb. Cf. Dante, Inf.
xxxiv. 137-9.
1106. _Parements_, ornaments; probably hangings. Cf. 'chambre of parementz'
in Squi. Ta., F 269, and Tyrwhitt's note, quoted in my note to the line. In
the Kn. Ta., A 2501, _paramentz_ means 'rich clothes.' See Æn. i. 637-9.
1107. For _ornaments_, which is preserved in MSS. C. and T. only, the other
MSS. and all the old editions have the odd reading _pavements_, which is
strangely out of place. I think it clear that this arose from a repetition
of the word _parements_, which was afterwards turned into _pavements_ by
way of desperate emendation. The letters _v_ and _r_ are often somewhat
alike, and have been mistaken for one another, as shewn in my paper on
'ghost-words' in the Phil. Soc. Transactions, 1886.
1109. The MSS. (except T.) and the black-letter editions have _he_.
Morris's, Bell's, and Corson's editions have _she_, which gives no sense,
and will not suit l. 1111. I do not undertake to notice all the vagaries of
the various editions, as the readings of the MSS. are so much more
satisfactory. In the present case, I suppose that _she_ is a mere misprint
in Bell, preserved in the editions that follow him. _Sete_ is short for
_seten_, the usual M.E. pp. of _sitten_, to sit; see Kn. Ta., A 1452. It
answers to the A.S. pp. _seten_, with short _e_. The _e_ in _mete_ was also
short in A.S.; hence the rime is perfect.
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