Two variations upon the last stanza occur in the Bannatyne MS., fol. 258, back; see the print by the Hunterian Club, 1879, pp. 754, 755. § 43. XV. THREE SAYINGS. First printed by Stowe; I know of no MS. copy. The first two Sayings are attributed to Lydgate; so we may as well credit him with the third. The second expresses the same statements as the first, but varies somewhat in form; both are founded upon a Latin line which occurs in MS. Fairfax 16 (fol. 196) and in MS. Harl. 7578 (fol. 20), and runs as follows:--'Quatuor infatuant, honor, etas, femina, uinum.' Note that these Three Sayings constitute the _only_ addition made by Stowe to Thynne in 'Part I' of Stowe's edition. See nos. 28, 29, 30 in vol. i. p. 32. Stowe introduced them _in order to fill a blank half-column_ between nos. 27 and 31. § 44. XVI. LA BELLE DAME SANS MERCY. First printed in Thynne's Chaucer (1532). Tyrwhitt first pointed out that it could not possibly be his, seeing that Alan Chartier's poem with the same name, whence the English version was made, could not have been written in Chaucer's lifetime. Chartier was born in 1386, and was only fourteen years old at the time of Chaucer's death. Tyrwhitt further stated that the author's name, Sir Richard Ros, was plainly given in MS. Harl. 372, fol. 61, where the poem has this title:--'La Belle Dame Sanz Mercy. Translatid out of Frenche by Sir Richard Ros.' I have not been able to find the date of the French original, as there is no modern edition of Chartier's poems; but it can hardly have been written before 1410, when the poet was only twenty-four years old; and the date of the translation must be later still. But we are not wholly left to conjecture in this matter. A short notice of Sir Richard Ros appeared in Englische Studien, X. 206, written by H. Gröhler, who refers us to his dissertation 'Ueber Richard Ros' mittelenglische übersetzung des gedichtes von Alain Chartier La Belle Dame sans Mercy,' published at Breslau in 1886; of which Dr. Gröhler has most obligingly sent me a copy, whence several of my Notes have been derived. He tells us, in this article, that his dissertation was founded on the copy of the poem in MS. Harl. 372, which (in 1886) he believed to be unique; whereas he had since been informed that there are three other MSS., viz. Camb. Ff. 1. 6, Trin. Coll. Camb. R. 3. 19, and Fairfax 16; and further, that the Trinity MS. agrees with the Harleian as to misarrangement of the subject-matter[18]. He also proposed to give a new edition of the poem in Englische Studien, but I am unable to find it; and Dr. Kölbing courteously informs me that it never appeared.